Language of the Present Moment

Portuguese Coastal Camino
Stage 3: Apulia to Esposende
Stage 4: Esposende to Castelo do Neiva

“I’m glad you are writing in this form. And, woo, there is a book in this also, given the insights you share.”

A friend emailed me this note after reading these photo stories on my walk. Kindred in our love of a good poem to now penning and publishing our own, and in looking at life in a way I describe as “before, beneath, and beyond words,” I appreciated and felt encouraged by Tenneson’s words. He recognized that “this form” is my way to access, coalesce, and give words to sensory impressions gathered along the Way…to all that is before, beneath, and beyond words…necessary to the further distillation that is poetry.

“Since time immemorial, there has been a belief that language is one power that can tap, even trigger, ‘divine events,’ and that pilgrimage, what was called in old Gaelic turas, ritual circuits, was a way to participate in the flow of energy between the two worlds.”

Phil Cousineau, The Art of Pilgrimage, 1998

Another gift of “this form” has been the invitation to remain in this flow of energy between two worlds. I’ve long noted how when traveling by plane, it takes several days for all of me to arrive home. I’ve learned to give myself transition time, realizing a threshold is crossed too, when returning to my everyday life, with its signature rhythms and patterns. Particularly mindful this time, given both the nature and length of time away, I kept my calendar clear for June. Coming home sick with a chest cold and cough that became Covid-19, has meant for an even longer, slower reengagement. Writing here, I re-read my journals, and skim through books that inspired my preparation. Editing photos – this time going beyond cropping and straightening to applying creative filters (a shoutout to “camiga” Elizabeth Cheung whose Camino Facebook posts and photos attract hundreds of followers) – I re-immerse body, mind and soul-sole, and relive my walk.

From my journal, Thursday, May 12, 2022, STAGE 3: Apulia to Esposende:“Leisurely start after a deep, physically tired sleep. Walked to see the beach at Apulia: fishermen coming ashore, surfers, and to the north, in the morning haze, windmills. Retraced our steps though the still quiet main street to find The Way. Corrected by the older woman who had just stepped out of her home, we walked, as the guide book described, past garden plots and through forests to the school yard with children playing at recess, and the football stadium in Fao. Sat by the river a bit, then through the urban to the beach front hotel in Esposende where its azure pool beckoned, and I made my first pen and ink water colour sketch.”

“The beginning of wisdom is the same as its attainment: wonder…
In the presence of that wonder, the head has no answers and the heart has no questions…”

Quote written on the page of my journal, Thursday, May 12, 2022, STAGE 3: Apulia to Esposende

Friday, May 13th, the fourth stage to Castelo do Neiva, was sunny and hot as we walked inland, with only brief glimpses of the ocean. That dark chocolate bar I’d purchased at the grocery store en route to satisfy a hankering, and wisely put in a ziploc bag, became a melted mess within minutes. Cafes along the way made for cool respites where café con leche chased with icy fruit juice refreshed. (For some it was a beer mixed with coke – an international iteration of the shanty, I suppose.) More evident along the route were various styles of markers, including statuary and the ubiquitous scallop shell, pointing the way.

Crossing an old stone bridge on the River Neiva, we began climbing in earnest.

Arriving at this stage’s lodging took some doing. The guidebook, customized for our stages and accommodations, gave clear directions, but obviously not for us. Maybe it was the heat, or misinterpreting distance given in meters, but we found ourselves going in circles, despite asking for help at the local garden centre, consulting my GPS and notes. Walking further, now into what more closely resembled a village, I was just about to enter the local school to once again ask for directions, when a woman walked by and pointed out, off in the distance, the church steeple beside our destination, Quinta do Monteverde. Approaching, where was the entrance????? The old locked gate by the vacant church? Walking around the corner, which by this point felt a long distance, we finally arrived at a more formal entrance with a buzzer. Pressed, the heavy door silently opened to reveal the magnificent grounds and mansion.

From my journal: “Heaven on Earth. Quinta do Monteverde. Country manor home to Fatima and her family since the late 1400s. So as da Gama and Colombus were off “discovering” North America and the Caribbean, this elegant Portuguese home was already standing and lived in…Splendidly, we have rooms in the manor house vs the more modern apartment suites alongside the pool. I selected the twin room, beautifully furnished with a full, spacious bath, the window seat. Could anything be more elegant??? Surrounded by exquisite antiques, sumptuous linens and scents, plush towels and robes, tea, cookies, port. Another azure pool, quiet except for birdsong…”

As dinner wasn’t offered, our host Fatima suggested we either walk the kilometer or so into town (no way as it was still hot!), or down the road to the local tapas bar most of her guests opt for, O Tasco Regional. WOW! The best meal to date, with the first of what would be several samplings of pimientos de padron and, too, razor clams simply prepared with garlic, EVOO and lemon to enhance their sweet, fresh sea brininess; tomato salad; perfectly grilled octopus; coquille with salsa; bread, and that Portuguese signature tinto verde, the best wine with fresh seafood. So enjoying our dinner and the owner’s hospitality, we reserved for the next night once we learned a cab drive would be only 15 minutes from our next destination.

The seventeenth century Japanese poet Basho, renowned master of haiku, devoted his adult life to writing poetry and walking pilgrimages. Contained within the form’s seventeen syllables, he synthesized the art of pilgrimage’s “skill of observation, soul of attention, and heart of intention.” (Cousineau, The Art of Pilgrimage, 1998)

While certainly not haiku, “this form” here attempts to echo that of Basho. By making the ineffable conscious and evident through my words and photos, making what another poet, James Wright calls “the language of the present moment.”

And that melted chocolate bar…soon enough hardened in the cool of my room at the quinta, it became the perfect after dinner complement to the port! A perfect present moment!

“Make the universe your companion, always bearing in mind the true nature of all creation – mountains and rivers, trees and grasses, and humankind…”

Basho in Phi Cousineau, The Art of Pilgrimage, 1998

Much love and kindest regards, dear friends.