Our First Panniversary

That’s what I’m calling this past week – our global first – and may it be our last except in memory only – “panniversary” – when a world wide pandemic was issued, the world locked down, most everything stopped, and many people were dying.

And while we couldn’t go out for our own big one last summer, last night my husband and I went out for dinner as a nod to one year of pandemic life –  our first since that exceptional sunny, warm evening last fall when we ate “al fresco” at a favourite local café and remarked that had been the first time since our winter sojourn in Spain, the one where we got home just in the nick of time, before the world as we all knew it shut down. This time, seduced the night before by a TV commercial showing a couple dining out and digging into their shared dessert, he made the reservation and suggested we get “dolled up” for a date. Proud to say, he was by far the best dressed fellow there.

Across media this week there have been multiple reminiscings about this remarkable, unforgettable year. Many countries paused to formally acknowledge those who lost their lives to Covid-19, in some cases, the tens and hundreds of thousands – family member, friend, neighbor, community member, colleague. Every one essential. Every one deeply grieved.

Of note for me was falling off the kindness wagon. First, the phone call to our local butcher to say the pre-seasoned roast I’d bought for dinner was too salty to eat. His daughter, naturally defending her dad’s business said it was the way it’s done, and no one had ever complained before. Not so much a complaint as wondering with her, but I could feel the impasse growing as we went back and forth a couple of times. So I thanked her and hung up. She immediately called back to tell me she didn’t appreciate my hanging up when she was about to tell me to come in for an unseasoned replacement. Not necessary, I said, but thank you and let’s just let it be. But I couldn’t. Headed upstairs and felt awful that I hadn’t brought my best self to the conversation. I knew I needed to make amends. This time, I called her back to apologize for my abruptness, to acknowledge her and her father’s efforts and service. Suddenly I was overcome with emotion and then crying. “If you came in right now, I’d give you a hug,” she said. “Next time I’m in, I’ll say hello,” I replied. Heart to heart. The balance restored.

Samantha Reynolds as bentlily

Later in the week I went to the local registry to renew my driver’s license. Nothing new: mask affixed, met by the sign telling me how many people are allowed in,arrows directing me where to stand,directed to the counter and begin the process. Straightforward until I ask for the photo from my expired licence. Since they shred it, a simple request, a quirk to have these mementos of time passing tucked in my wallet. No, she shook her head, this was not possible. Why not? She goes to ask and I see more heads shaking no. Do I press the matter? No, let it go.

Then, how would I like to pay? Visa. Oh, that will cost me an extra 4%. What are my options? Cash or debit. Any charge? No. Fine, debit it is. That done, then I’m told to take a seat, which I don’t because there a couple of fellows standing too close. But quickly I’m called for my photo and am told I have take off my glasses – no problem – but then I have to remove my neck scarf from inside my sweater and expose my throat (to the wolf? I wonder) And no smiling. Oh, like passports. “Government wouldn’t want too many happy folks,” I mutter just loudly enough. Next told to push my hair behind my ears. I fiddle. She persists. I resist, literally half complying. She invites me to see the photo. Good enough. Thank you. Mask back on and I leave.

By the time I walk the dozen steps to my car, yanking the mask off my face, I’m furious, swearing to myself. Once settled inside, I’m still swearing but realize quickly, whoa this is way out of proportion to the incident. Quickly registered that I had had it with being told – by the government – what to do and when, how, and why to do it. It’s been a year’s worth and I have willingly accepted and consciously complied, but the straw broke in the face of what felt to me as unilateral, nonsensical rules for my driver’s license. I admit, I reacted with in moment with some oppositional deviance.

Deep breath taken, I headed out to continue my errand run, but at the lights instead chose to drive home. Went inside and called the registry to once again acknowledge and apologize. And once again I was met with an empathy, patience or kindness I regret I didn’t have or offer in that moment.

Before sitting down to write today, I did an early morning scroll on social media, and a skim of an recently published article on the cognitive affects of pandemic, What the Pandemic Is Doing to Our Brains – The Atlantic.

“Living through a pandemic—even for those who are doing so in relative comfort—“is exposing people to microdoses of unpredictable stress all the time,” and stress changes the brain regions that control executive function, learning, and memory.”

Then I discovered findings reported this week from a peer-reviewed study published in Scientific Reports indicating that our cognitive abilities have been negatively impacted by the COVID-19 pandemic, including our decision-making ability, risk avoidance and civic-mindedness or altruism. Hmmm, this explains, but doesn’t excuse, my lapse.

I think back to a post I wrote before our first pandemic Christmas, about the need “to be tender and kind. Especially to oneself. Especially now when there’s so much out there, unabated, for so long.”

I remind myself:

“If your compassion does not include yourself,
it is incomplete.”

The Buddha

I remind myself:

“…I forgive you. I forgive

you. I forgive you. For growing
a capacity for love that is great
but matched only, perhaps,
by your loneliness. For being unable

to forgive yourself first so you
could then forgive others and
at last find a way to become
the love that you want in this world.”

Dilruba Ahmed, “Phase One”

And I remind myself:

“My wish for you is that you continue.
Continue to be who you are,
to astonish a mean world with your acts of kindness.”

Maya Angelou

It’s our first Panniversary, dear friends. It’s been a long haul and we’re still not through to the other side. We’re still wading through uncertainty, stress, boredom, grief. So let’s remember to be tender and kind and patient with ourselves and each other.

May you and yours continue to be safe and well.
May you know and be and have the love you want in this world, today and everyday.

Much love and kindest regards, dear friends.

March

Click here if you’d like to listen to this post on my new podcast, A Wabi Sabi Life.

Whew! Today is the first of March. Despite yesterday’s snowfall, amounting to a couple of inches right after The Scientist shoveled, this new month, in northern climes, evokes Spring. And while we who live on the prairies know it and its capricious cousin April can bring the season’s fiercest snowstorms with highway whiteouts and broken power lines and tree limbs, it feels like we’ve crossed a threshold of no return in this year’s cycle of seasons. We know that underneath it all, willows will eventually pop their furry buds, robins will begin their predawn serenades, geese will return to fields and ponds, and the backyard cherry tree will unabashedly blush pink.

Last week as Annie and I walked our usual route, I saw Magpie with a twig the length of his wingspan clamped in his beak. Landing in a leafless tree, he hopped from branch to branch, looking for a place to settle, and begin nest building. Then, in response to another’s caw, he took flight across the snowy green to the thick limbed spruce. “Does he know something I don’t?,” I wondered. “Is this the prairie iteration of Groundhog Day foretelling Spring’s arrival?”

A few days later, after an early morning sitting, I suddenly heard as a clear as a bell, the two note high-low song of the black capped Chickadee through the triple pane windows, purring furnace and ticking clock. The first time such sweet birdsong at dawn.

Sunday’s fetching of the mail from the community postal box brought a welcome greeting from a friend. This card featuring the painting of local artist Gina Adams, with inside note “to chirp you into Spring,” brought a smile and now sits as a reminder of what is to come, eventually.

Last Friday’s posting of Jan Richardson’s poem, Beloved is Where We Begin, struck a chord with friends near and far. One emailed “what a yummy passage.” Another used it as the opening theme for her weekly words to her faith community in their exploration of the geography of the heart. And another said it would be included in the collection of poems read aloud to questers at the Sacred Mountain later this spring as they embark on their three-day silent solo fast.

Remembering we are beloved as we journey inward and outward in our own metaphoric wildernesses, through a Winter still to come to a Spring yet to arrive, brings me a similar comforting reassurance as today, the first of March.

Much love and kindest regards, dear friends.

Beloved is Where We Begin

Morocco’s Sub Sahara, 2019

BELOVED IS WHERE WE BEGIN

If you would enter
into the wilderness,
do not begin
without a blessing.

Do not leave
without hearing
who you are:
Beloved,
named by the One
who has traveled this path
before you.

Do not go
without letting it echo
in your ears,
and if you find
it is hard
to let it into your heart,
do not despair.
That is what
this journey is for.

I cannot promise
this blessing will free you
from danger,
from fear,
from hunger
or thirst,
from the scorching
of sun
or the fall
of the night.

But I can tell you
that on this path
there will be help.

I can tell you
that on this way
there will be rest.

I can tell you
that you will know
the strange graces
that come to our aid
only on a road
such as this,
that fly to meet us
bearing comfort
and strength,
that come alongside us
for no other cause
than to lean themselves
toward our ear
and with their
curious insistence
whisper our name:

Beloved.
Beloved.
Beloved.

– Jan Richardson –
Circle of Grace: A Book of Blessings for the Seasons

I included the first three stanzas of this beauty in this week’s blog, Stirrings.

Stirrings

Polar votex and mid-winter thaw. Valentine’s and Family Days. Pancakes and ashes. Blood work and cardiac test all ok. Poetry reading and writing. Online retreat and travel tours. And the reassuring rhythm of walking with Annie.

It’s been a full, few weeks yet for all of it, not much in the way of words to write.  Sat down several times and simply surrendered to not having anything to say which I’ve learned usually means I’m cooking on something. Right this moment I hear Tom Jones – yup, that one from “What’s New Pussycat” fame, now making a comeback – sing about the “talking blues.” A peculiar synchronicity. So again, I’ll rely on the words of others to give shape to what might be simmering in the sacred cauldron.

Last week, on Ash Wednesday, I received another of Barb Morris’ beautifully written – I’d say “inspired” – letters from God, this one to beloved daughters who observe Lent. I’m not sure how I first “met” Barb or encountered her letters from God, but each one has touched a chord. Words like these land especially deep in me:

“Despite what you’ve been taught, “holy” does not mean pure and unearthly. “Sin” does not mean breaking my rules and making me mad. “Penitence” does not mean listing and wallowing in all the ways you’re wrong and bad. “Repentance” does not mean promising to do better to stay out of trouble…

…This Lent, the only fasts I want from you are these: Fast from distractions that allow you to stay wounded and broken. Fast from believing you’re not good enough. Fast from making yourself small, and nice, and silent. Fast from all judgment, especially of yourself.”

Later in the week, again in response to Lent, poet-artist Jan Richardson, another wide-open-hearted woman, sent out her poem, “Beloved is Where We Begin,” from her book, Circle of Grace: A Book of Blessings for the Seasons (2015). Here, the first three stanzas:

“If you would enter
into the wilderness,
do not begin
without a blessing.

Do not leave
without hearing
who you are:
Beloved,
named by the One
who has traveled this path
before you.

Do not go
without letting it echo
in your ears,
and if you find
it is hard
to let it into your heart,
do not despair.
That is what
this journey is for…”

Reading it now there’s a beautiful resonance with the recently released, eight episode “3 Caminos,” a Spanish TV production about five people who meet walking the Camino de Santiago, first in 2000, then in 2006, and finally in 2020. This weekend, watching their stories unfold within the magnificent backdrops of land and location, stoked the embers of my own latent, on again-off again, dream to one day actually walk the way.

I rose early on Saturday to attend an online Lenten retreat hosted by Pádraig Ó Tuama. I’ve written here about Pádraig’s eloquent hosting of the podcast, Poetry Unbound. As poet, theologian and former conflict mediator, Pádraig brings a contemporary, justice centered interpretation to scripture. Taking three perspectives of Jesus in isolation – fasting in the desert where with nature’s befriending, he encounters the devil’s three temptations; making the harrowing journey through his own inner hell ; and in resurrection (what does it mean now to be born again after such journeying) – he shared his poetry and invited in our words and memories as touchstones for the inner work and meaning making of our own journeying in times of desert wilderness. Pausing to consider in this past nearly year of sheltering in place – compassionately retreating – being locked down (the term shifts on how long and what day) the room in which we’ve spent the most time, and what in that room we look upon for comfort, solace, grounding. Or writing a “collect” of praise and appreciation to an item or being that has done the same. Over those four hours together on ZOOM, what lingers was one of Pádraig’s recent poems, wherein he imagines an elder Irishman in the local pub, typical and traditional in his abstention from physical touching, but who – after living through the pandemic alone in his home where he first meets his first granddaughter and attends the funeral of his oldest friend via ZOOM – was taken to unabashed hugging and speaking endearingly to kith and kin. Even now as I type, my heart and eyes sting with a tender poignancy and yearning.

What seems to be simmering are the stirrings of the mythic, heroic journey, this time held within the season and story of Lent. This time more sobering because of the pandemic’s isolation.

Saying yes to the call, wittingly or otherwise.
Crossing the threshold alone into the desert.
Encountering what frightens, tempts, challenges and strips naked.
Waiting in uncertainty and in vulnerability.
Moving blindly through and into an unknown future.
Letting go to let come loss and grief.
Clearing the way for the new.
Being unaware of benevolent helpers.
Remembering blessings that accompany.

Alone. Together.
Again and again.

I’ll end with some wonderous words from Vancouver poet Samantha Reynolds. Writing a poem a day as “bentlily,” every Monday my inbox shimmers with seven gems from the week before. This, her Valentine, All I want from love:

“May our love for each other
grow tall enough 
to reach forgiveness
and big enough
that it can never 
be misplaced.”

Much love and kindest regards, dear friends, as you make your way during this season of waiting and beyond.

My Way

Being a Person

BEING A PERSON

Be a person here. Stand by the river, invoke
the owls. Invoke winter, then spring.
Let any season that wants to come here make its
own
call. After that sound goes away, wait.

A slow bubble rises through the earth
and begins to include sky, stars, all space,
even the outracing, expanding thought.
Come back and hear the little sound again.

Suddenly this dream you are having matches
everyone’s dream, and the result is the world.
If a different call came there wouldn’t be any
world, or you, or the river, or the owls calling.

How you stand here is important. How you
listen for the next things to happen. How you
breathe.

– William Stafford –

Winter into Spring

January Buds Waiting

WINTER INTO SPRING

The trees, along their bare limbs,
contemplate green.
A flicker, rising, flashes rust and white
before vanishing into stillness,
and raked leaves crumble imperceptibly
to dirt.

On all sides life opens and closes
around like a mouth.
Will you pretend you are not
caught between its teeth?

The kestrel in its swift dive
and the mouse below,
the first green shoots that
will not wait for spring
are a language constantly forming.

Quiet your pride and listen.
There — beneath the rainfall
and the ravens calling you can hear it —
the great tongue constantly enunciating
something that rings through the world
as grace.

Lynn Ungar
(Bread and Other Miracles)

Last week when I wrote about Wintering, I was aware it was Imbolc, the ancient Celtic holy day, midway between Winter Solstice and the Vernal Equinox, that honours the “barely beginnings” of new life. Try as I might to acknowledge that in my post, I couldn’t, needing instead to simply stay put in the depth of wintering. Maybe a prescient response to the deep Arctic cold that descended upon us this week, nonetheless, those barely beginnings are evident. Sun rising earlier in the morning, sitting higher in the noon sky, setting later in the afternoon. Hyacinth, tulip and daffodil bulbs forced in greenhouse warmth. Latent buds on trees. We wait. It comes. Winter into Spring.

Snow

Krista Tippett:
Somewhere you say that snow creates a “liminal space, a crossing point between the mundane and the magical.”

Katherine May:
I think snow — what I love about snow is the way that it makes a clean break. It transforms the landscape. Everything’s different. Everything sounds different. The quality of light is different. The light kind of sparkles off it. You know, before you open your curtains, that snow has landed. And for me, I just think that’s such a gift. I know it’s less of a gift if it’s there for five or six months. But it’s a break in the routine. It’s a little bit like a kind of pause. You can’t go about your normal business. School chucks out. But you get to see your world in a different way. And it’s beautiful.

I grew up in quite an unbeautiful place, and snow used to make it beautiful. And I used to absolutely love that. And I now live in a very beautiful place, and snow makes it magical instead, when it comes.

On Being with Krista Tippett, January 21, 2021

Inspired by their conversation for Monday’s blog on Wintering, and given the recent snow and its transformation of so much around me, I had to include Katherine’s poetic rendering here, as Friday’s photo and poem feature.

Wintering

“Dashed and disheartened – again,” I emailed a friend. What with last week’s winds having blown in Arctic cold temperatures and flat light skies, reading up on my country’s vaccination rollout debacle and delays, virus variants that are proving to be highly contagious and perhaps more deadly than the original, and a speculated move to mandated mask wearing outside, this might be an understatement. Certainly enough to have been stalled again in writing here, having missed two of my usual Monday postings. Plumbing a bit deeper, what with my husband having celebrated his first “Covid” birthday two weeks ago, we realized with age, and life as we’ve known it “on hold,” we’re feeling quite wistful. Most apparent for me is missing traveling and all that it gives me, more fully appreciated now in its absence. I’m resigned to the probability that this will be another year, and most likely then some, of staying put. Too, the whisper of a question held this past year, “Will I – we – ever travel again as in the past?”

A few days ago, somewhat warmer with soft snowflakes fluttering down, Annie and I walked, she happy for her full-length coat, and NOT having to wear her fleece boots. I plugged into a recent On Being podcast, curious having read Krista’s weekend letter:

“Katherine May, in her book, Wintering – The Power of Rest and Retreat in Difficult Times (2020), meditatively explores ‘wintering’ as a season of the natural world but also as a place our bodies and psyches need to go, a season that recurs again and again across a life. We cheat and dismiss this in life as we’ve been living it, but it has presented itself insistently in a pandemic year we might reimagine as one long communal wintering.

We can’t move forward without grieving all we’ve lost in the past year. Closer to the ground, this means we have to let in the fact of sadness — a precursor to pain and fear — with some reverence. If happiness is a skill, Katherine May says, so is unhappiness. Winter embodies the strange complexity of reality. It is the bitterest season, we blithely say. And all the while it manages not to be the death of the life cycle, as Katherine May reminds, but its crucible.”

Krista Tippet, The Pause, January 23, 2021

Wintering.

That would be the odd place in which I found myself last spring and summer. Whereas I’d used the words “fallow” and “lost”, as I listened to Katherine May, I recognized in her words a fuller, more accurate description of those several months lying cold and low, when all around me blushed and blossomed.

“…wintering is a metaphor for those phases in our life when we feel frozen out or unable to make the next step, and that that can come at any time, in any season, in any weather; that it has nothing to do with the physical cold…”

Katherine May, On Being podcast, January 21, 2021

Not bound to season as we know it, but a necessary and recurrent place to drop into when we appreciate the cyclical nature of our lives. Thinking back, during an actual winter fifteen years ago, I dropped into depression. Not major, but enough that I and others noticed I was not myself. Little energy and enthusiasm, waning concentration, major exertions of effort to get through a day of work and home chores. Enough that once on the other side that spring, I’d mentioned it to my family doctor, and upon closer examination, recognized its cyclical nature. Perhaps a bit of seasonal affective disorder with some inherited family predisposition towards the winter “blahs.” Never since as severe, though I have a letter I wrote to myself then, upon the suggestion of my doctor, “to be opened in the dark days, to remember.” I’ve never needed to, though I know it’s perched on my desk amidst a collection of mementos. And that brings reassurance enough.

“Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Wintering is a time of withdrawing from the world, maximizing scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible.”

Katherine May, On Being podcast, January 21, 2021

I wonder if because we are mostly acculturated out of such natural rhythms and rituals, those embedded deep within our DNA and beneath our consciousness, we find ourselves in “winter” out of season? That if we heeded Nature’s signs and stirrings, we’d ready ourselves, with each other, for wintering’s alchemical invitation. I feel a growing love and appreciation for winter, the season, since being unfettered by work’s imposed schedule, demands, and need for driving. And as many of us have felt during the pandemic, in lives slowed and diminished of obligation, its paradoxical gifts.

“It’s a time for reflection and recuperation, for slow replenishment, for putting your house in order. Doing these deeply unfashionable things — slowing down, letting your spare time expand, getting enough sleep, resting — is a radical act now, but it’s essential.”

Katherine May, On Being podcast, January 21, 2021

Recently I came upon these words from Toko-pa Turner’s book, Belonging: Remembering Ourselves Home. They echo the hidden transformative gifts in this crucible of winter and wintering:

“Like the bowl that has yet to be filled, there is an emptiness that precedes creativity that is alive with potential. With ordinary eyes, it’s easy to mistake this emptiness for stagnancy. We may think, “I have nothing of substance to offer! I have no original ideas!” But down at the invisible base of things, there is a holy dance taking place. Though we may want to run from the tension, the polarities are in constant motion, readying themselves into harmony. Far from dormant, this dance is the active receptivity that calls things into form. We are such a vessel. These times of nothingness are actually busy with living into a new capacity.

Originality comes when you stay close to that emptiness, making it a welcoming place, adorning it with your divine longing, learning the shape of it, and filling it with your questions. Every great artist I know is obsessed with a question, and their artworks are less attempts to answer that question than they are exaltations of asking. As Jean Cocteau says, ‘The poet doesn’t invent. He listens.'”

I listened last summer as I wintered, lost and fallow. I remembered it as a familiar season of my life and followed its nudges to find my way through. Walking with Annie. Reading and writing. Photography and painting. Making love notes to friends. Cooking and circling up with women friends. And now in the fullness of its season, I sleep longer, nap more, give myself permission to pause the writing until I feel stirred. I let myself feel, once again, dashed and disheartened, trusting them to be worthy of these times. And I wonder.

“I recognized winter. I saw it coming a mile off, since you ask, and I looked it in the eye. I greeted it and let it in. I had some tricks up my sleeve, you see. I’ve learned them the hard way. When I started to feel the drag of winter, I began to treat myself like a favored child, with kindness and love. I assumed my needs were reasonable and that my feelings were signals of something important. I kept myself well fed, and I made sure I was getting enough sleep. I took myself for walks in the fresh air and spent time doing things that soothed me. I asked myself, what is this winter all about? I asked myself, what change is coming?”

Katherine May, Wintering – The Power of Rest and Retreat in Difficult Times (2020)

Much love and kindest regards, dear friends.

Count to Twelve

Prague’s medieval Astronomical Clock, 1410

COUNT TO TWELVE

Now we will count to twelve
and we will all keep still
for once on the face of the earth,
let’s not speak in any language;
let’s stop for a second,
and not move our arms so much.

It would be an exotic moment
without rush, without engines;
we would all be together
in a sudden strangeness.

Fishermen in the cold sea
would not harm whales
and the man gathering salt
would not look at his hurt hands.

Those who prepare green wars,
wars with gas, wars with fire,
victories with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.

What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.

If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.

Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.

Now I’ll count up to twelve
and you keep quiet and I will go.

– Pablo Neruda –

Nature

“Give me one wild word.”

Terry Tempest Williams, Finding Beauty in a Broken World,
in Abbey of the Arts, “Give Me a Word for 2021”

NATURE. My word for 2021. Again, not so much chosen as received through the twelve-day process of deep listening and discerning hosted by the Abbey of the Arts. If this word – NATURE – has even a portion of prescient relevancy as last year’s word – HOME – I’ll become converted to this as an annual process.

“For last year’s words
belong to last year’s language,
And next year’s words 
await another voice.”

T. S. Eliot in Abbey of the Arts,
“Give Me a Word for 2021”

By registering and dedicating time to the daily lessons, I crossed a threshold into that liminal, imaginary space where symbols and signs, whispers and words, prayers and dreams have potential to bear fruit for those who have eyes to see and ears to hear. 

“A door opens in the center of our being
and we seem to fall through it into the immense depths which,
although they are infinite, are all accessible to us.”

Thomas Merton in Abbey of the Arts, “Give Me a Word for 2021”

In an early lesson derived from the practice of Lectio Divina, I reviewed last year (yes, that year!) as a form of sacred text over which to meditate and select an image or event that “shimmered.” Without question it was my time outdoors – whether in urban nature by the river, suburban treks through the golf course, sitting in my treed back yard, walking through villages and cities in Andalusia, or getting lost on the Lost Lake trail in my provincial park – that inspired, soothed, challenged, settled. 

Another day’s lesson of taking a contemplative walk has become so much a part of my daily routine during these many months of pandemic life, satisfying both Annie’s and my need for fresh air and movement and giving reassurance there is life beyond our house, that it simply confirmed my knowing of Nature’s promise and powers.

Still, to stay open and not prematurely settled, I noticed my dreams as per another day’s lesson, and when consulting a soul friend was prescribed, that day I just happened to open the “year in review” e-letter from beloved friends – they whose practical life wisdom and deep reverence for Nature serve as meaningful mentoring – and read their closing words which echoed and amplified my knowing:

“May the bigness and mysteries of Nature
carry our hearts through all concerns.
Let us trust the stones, the waters, the trees, the fungi.
Let us befriend the birds, the fishes, the animals, the plants.
Let us befriend one another.”

Ann Linnea

Allowing the word time to “ripen” by holding it gently while still wondering what else; illustrating the word visually through phone photos that caught my attention as we walked the snow-covered park paths; and committing to a “word rooted” practice, which for me is simply a re-commitment to heed Annie’s after lunch nudge, I feel settled that this word has come this year for me. 

Writing a poem was the final day’s lesson. Today, my haiku in tribute took form:

This new year my word.
NATURE, my holy Teacher,
Healer, Guide, and Friend.

Much love and kindest regards, dear friends.