To Be Astonished

In reflection to a prompt from last week’s theme in Way of the Monk, Path of the Artist – “Creative Work as Vocation and Holy Service” – a powerful memory was evoked of a group activity of deep listening and sensing into space and collective. Thirty or so of us standing in a room led by a famous percussionist were invited to make a brief improv musical composition using only six sounds, one of each assigned to each of us, to be used only once. Like the maestro, he signaled the start and as I listened, waiting for when to make my contribution with my sound, it became apparent that staying silent was most needed for the coherence of the emerging melody.

“Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.”

Mary Oliver, The Messenger

Over the years, calling back that visceral experience has always been a profound, astonishing even, lesson of  the discernment and value of silence, stillness and spaciousness in works that matter.

Last week that memory gave me a fresh way into understanding my place right now. The waxing and waning between finally feeling – after several fallow and lost months of grieving my sudden, unexpected arrival at “retirement” –  for the first time in my life, a deep contentment with not working, AND, too,  missing the ways in which I had worked, been of service, made a living. Missing the known and felt meaning and value I gave and received for my work. Such missing occasionally “stings” as my circle of women friends are still so employed or creating their “encore” careers.

“Our daily work may rise out of our true calling in the world, or it may just pay the bills; either way, we each have a vocation. We each were given certain gifts to offer in service to others. Our calling is deeply connected to our creativity. The truths we long to express in the world and the way we feel moved to give form to beauty are signs of the Spirit at work in us. Vocation is a daily invitation to be fully who we are and to allow our lives to unfold in ways that are organic to this deepest identity.” 

Christine Valters Paintner, The Artist’s Rule, 2011

So how, now in my autumn years, will this unfamiliar “non work” become my “love made visible” in counter-cultural, less obvious, silent, still and spacious ways? How, as I find myself living a long-held dream of having expanses of time and space, unfettered by plans and obligation (thanks in part to the pandemic), may creativity emerge as vocation, take form as holy service? How do I learn to be astonished?

A cursory inventory:

  • Shifting my perspective to give value to home care, meal preparation, dog walking as my labors of love.
  • Trusting that the beauty I notice and express, via written word and photograph – in my blog, on social media, in my practice of hand writing note cards sent to friends – are an offering of my life as poem and prayer.
  • Remembering my meditation and prayer, a lit candle, and passing thought for another, known or unknown, are silent weavings for healing and community.
  • Giving space for my holy grief, holy gratitude and holy love creates space for others to do so.
  • Sitting with the questions of my heart, in the tension of knowing a greater plan is at work, revealed only – word by word, brush stroke by brush stroke, action by action – in the ordinary living into each day.
  • Learning to “move at the pace of guidance,” heeding the wisdom of energies seen and unseen.

“We make what we make, we give a gift, not only through what we make or do, but in the way we feel as we do, and even, in the way others witness us in our feeling and doing, giving to them as they give to us…a work and an identity that holds both together, not only for an end, but for every step that shapes an onward way.” 

David Whyte, “Work,” in Consolations, 2015

Much love and kindest regards, dear friends.

A Reverie of Sacred Dance

“Keep it simple, keep it kind” to grease and ease passage through resistance into the Dance of Sacred Yes and Sacred No. Known and named resistance for one so facile with words – spoken and written – knows Body Knows and will slipstream with Her own Wisdom, shape shift to Truth.

“By the sacred yes or the sacred no I mean that affirmation or negation that comes from a deep place of wisdom and courage, even if it creates conflict or disagreement.
The sacred yes is not willful or egocentric, but rather is willing and surrendered.
The sacred no is not rebellion or refusal, but always the necessary protecting of boundaries.”

Richard Rohr, in The Artist’s Rule by Christine Valters Paintner


The Deal struck – leave words and utterances behind for Body in its silence to teach, with music of shaman’s dream to guide.

Kneel before the altar. Candle lit. Head bowed.
Stilling, silencing, falling into the cave of the heart.
Listening to a beat older than time.
Imaginal images flutter through time and space.


SACRED YES sees ancient Sun Dancer, pierced with deer cord bound to Tree in Life Hoop’s center. Face to the sun, sweat and blood streaming. Is this not a Sacred Dance to the Sacred Yes of Life? 
Elephant Matriarch swinging her massive head and trunk, warning all to beware as she guides her family through danger.
Arms suspended as Seaweed floating on the ocean’s surf. Then outstretched seeking surfer’s balance as he rides the Wave.
Now bald Eagle silently soaring, high wide view of land and sky.
Hold hair tight like Kali, Durga.
Bounce and bound like Ape.
Silent belly rumble and laugh. Inhale deep. Exhale deeper like bellows.
Not a word. Not a sound.
Felt Sense Flashes.
All a truer expression of that commitment to Life through its ages, when all Bodies knew.
Then rest, dream of YES, slip into Dream Time to bring it through, to be it, to be with it.
No words needed. Body knows.
Space surrounding Body holds vibration and emanation of this Dance to SACRED YES.

SACRED NO awakens to Tibetan bells.
Flowing gentle melody instantly illumines Sacred No is always in service of Sacred Yes. In obedience bows to Life.
Bending forward to purge the false yes, compliance, making small, resentments and envies – all taken as truth those lifetimes of lies.
Rising up, strengthen arms and legs, back and front, shake head free of delusion, break free of an invisible bondage as concrete eggshell shatters.
Drum beat evokes fierce warrior. Strike and chop and kick and stomp. Claim and proclaim. Power and empower.
Swoon with sudden sick feeling as Ego slips in guised to taint and turn the Sacred against itself.
BIG MEDICINE here.
Stand still. Is not standing still on one’s ground like Mountain the Sacred Dance of the Sacred No?
Then sway and soften into Life, like Tree who knows to withstand Storm he must give and bend.
Be fluid, fluent like River flows.
Dance SACRED NO as betrothed partner to SACRED YES.
Shape shift through Ego’s seduction. Discern the step.
Quiet presence, fierce with fight.
When to be loud with silence, soft with strength.

“A thousand half-loves must be surrendered
to take a whole heart home.”

Rumi

In the Family of Things

Mid August has come and gone and with it, most of summer. I used to say that August felt like one long Sunday night, especially for those of us in education. That mix of anticipation, apprehension, excitement and trepidation with September and the start of a new school year. All the stuff that can keep one awake, tossing and turning on a Sunday night, wondering what the new week will bring.

For the first time, this isn’t my felt sense. Maybe enough years out and away from the day to day. Too, knowing my work with schools has ceased, at least for the time being. Not wanting to be insensitive, I admit it’s hardly a year I’d want to be returning given so much continued uncertainty and real apprehension about the safety and well-being of staff and students as COVID-19 numbers continue to rise here and around the world with school resuming.

Despite another run this week of hot, sunny weather and cloudless skies (only the second this summer!) there are signs of what’s to come. Sitting by the local pond late last week I wrote:

The change in weather weighed heavy today. Every bone in my body ached.
My jaw clenched as my third eye pulsed.
Indelible and subtle, this signaling of the season to come.
Tell-tale morning chill.
Golden haze on aspen, ash and farmers’ fields.
Sun that sets earlier, rises later.

Geese gathered on the cat-tail bordered pond, leisurely swim in the same V formation as they fly.
And for a moment I hear in my head the opening lines to a favourite Mary Oliver poem, Wild Geese.
Try to speak aloud from memory. Give up but remember its essence,

remember the world announcing my place in the family of things.

Look up into that blue sky, heavy with lead bottomed clouds.
Beseech the wind who is my guardian,
“Where is it I’m meant to be?”

Like a squirrel gathering nuts, the geese and crows gathering to migrate south, I’m beginning to prepare myself for fall. Like its predecessors, spring and summer of 2020, I imagine it, too, will be the likes of which none of us has ever experienced. More pronounced again have been those waves of grief as I realize all too soon the ease with which we’ve been able to safely see friends will pass as colder temperatures and shorter days become the norm. And still, though curiously more acute, the sur-reality of living in this pandemic, every day continuing to learn more and more its impacts. Something I felt in the spring, but was able to hold lightly, off to the side during summer.

“… it is in those moments that we must remember the difference between despair and grief.
While despair traps us in the bog of despondency,

grief carries us into life.
Grief calls us into a deeper engagement with those things that we love. And even as we are losing them, grief wants to exalt their beauty.
If we let grief move us into expression, it will sing the blood into our songs, colour the vividness into our paintings,

and slip the poetry between our words.

Toko-pa Turner,
Facebook post, August 14, 2020

So thoroughly engaged in the first programs I took under their hosting this spring, in the pandemic’s novel, early days, I signed on to another self study with the Abbey of the Arts. Starting in September for twelve weeks, “Way of the Monk, Path of the Artist,” promises to be an equally deep, communal dive into creative expression. I’m lightly researching how and what I need to begin a project based on some mandala paintings I’ve made over the years, and today I signed on for a self-paced study in abstract creative painting. Lonely for community, I’ve decided to resume my weekly Saturday river valley walks with the local Camino group.

It’s a delicate balancing act, like the pattern I’ve noticed when I’ve been out and about a bit, around more people than usual. Without much conscious thought, I find myself laying low for the following several days, staying home, and only going out to walk Annie. I hear friends and family acknowledge their loneliness, while others live with the millstone of chronic illness and the deaths of their beloveds. My heart aches for my sister, recently moved to the States, where as the crow flies only fifteen minutes from her children, grandchildren and our parents, but with the border closed, now for another month, now an eternity away. I prudently expect more of our traditional celebrations – Thanksgiving, Hallowe’en, Christmas, New Year’s – will continue to be severely curtailed by Covid-19.

“Rumi says, ‘All medicine wants is pain to cure.’
And so we must cry out in our weakness, our ineptitude,
our beautiful inadequacy and make of it an invitation
that medicine might reach through and towards us.”

Toko-pa Turner,
Facebook post, August 14, 2020

Sitting by the pond, in response to my question, the wind whispers:

Right here, dear daughter.
Resting in the still warm sun. Breathing in the fresh northern air.
Your hair like the green rushes, swaying, dipping and dancing

in rhythm to my silent song.
Right here. Right now. This
.

With love and kindest regards, dear friends.

A Couple of Covid Summer Days

Driving along a prairie east west highway, see
tawny hawks sit still and solemn on weathered wooden fence posts
gazing out over the sun yellow canola fields
bordered by green grass and blue sky.
While crows hop on the edges of pot-hole ponds,
and others soar on invisible cloudless slipstreams.

The linden tree we planted to replace the “sacred” grove of aspens,
(those four slender white trunks and limbs finally reached their natural end)
is now in full golden blossom, gives off that
subtle, yet distinguishable sweet fragrance
attracting big-bottomed bumblebees by the dozen.

This day I sit on the café patio of a favourite garden store.
The masked hostess initially said there’d be an hour wait,
then quickly waived it and me to the perfect table.
Such kindness these days so easily
brings me,
touches me,
moves me
to tears. Thankful for sunglasses. I can see out. She can’t see in.

Creamy globes of hydrangea, some in pots, others topiary trees.
Their petals flutter in a balmy breeze I’ve longed for ages to feel.

Piano muzak and signature water fountains, my aural companions.
Another day of cloudless blue soothing warmth.
Background melodies blur nearby conversations,
but accentuate my silent solitude.
Those familiar invite a slippery slope of remembering when

I was last here…lunch with friends,
Winter cold.
Swaddled in sweaters and down, toques, gloves and coats.
Warm in the glow of time shared.

Floating down the river as a teenager with my girlfriends, or
lounging on the air mattress in the cold quarry waters.
Music blasting from the boom box above.
Carefully passing the joint,
we be jammin’.

My spoon glides through
the layers of light whipped cream,
denser coconut cream,
then break though oven crisp pastry.
My raison d’etre this favourite dessert.

Pachelbel’s canon whispers, evokes
body memory to breathe slower, deeper.
And then, like that golden dragonfly I watch
my thoughts
lift and land lightly

a friend who lost her husband to suicide
another her brother
won’t linger too long here,
just enough for a steady pause and heartfelt prayer.

Finally a long awaited week of summer
where the yellow circle weather icons make it possible to plan

a picnic,
a patio visit,
an alfresco dinner with friends,
another day long road trip.

Slugs shrivel. Flowers flourish.
Farmers’ crops and home gardens ripen,
promising a bounty this week.Perspectives with Panache, 2020Hallelujah! Cohen’s chords now proclaim.
Bill received and paid.
Thanks be given.

Lost

Last week’s spoken weariness persists. Now with another soupçon of sadness. I think of Rumi and his guest house, welcoming all these sensations and feelings as guides from beyond. I continue to practice the art of sitting in the void of uncertainty, in the tension of it all, of it all being true.

Too, I continue my participation in The Soul of a Pilgrim. It’s become a way to chronicle my reactions and response to the pandemic within the context of these eight practices. Last week, the fifth, the practice of being uncomfortable, particularly with being lost.

In the week’s online conversation, and in anticipation of how I’d create a scenario walking in my neighborhood where I’d feel lost, get lost, be lost, I posted this favourite poem, Lost, as a guide for me and others.

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

David Wagoner, 1999

The evening I set out, was initially along the familiar route, with our Annie dog leading the way. With each step, I recalled those times I’ve been lost, or more significantly, worked to not get lost. With each step, I felt the discomfort of my body tightening, butterflies in my gut, my head straining to figure it out, find my way.

Travelling solo in Europe in my fifth decade. Late to the party, I never did the university gap year, backpack, Eurail pass thing. I finally made that long held dream come true, thanks to a deferred salary leave which allowed me to travel for three months. I remembered arriving in Venice at the beginning of Carnavale, disembarking from the train, stepping down onto the platform to catch a water ferry, and find my way to my apartment. Almost a decade ago, the borrowed cellphone didn’t work. Wifi was sketchy at best. But constant as a northern star, the kindness of strangers helped me arrive and make a quick email connection with my husband to let him know I’d arrived safely, the one and only
during that leg of the trip.

I’d always considered myself poor with directions, but that trip, those three months, taught me otherwise. Perhaps I erred on the side of over-vigilance, but travelling alone, in low season winter and spring, when the days were short, I did what I needed to stay “found”, using my paper map, practicing walking routes to train stations to estimate time, asking for help, photographing landmarks to get me “home.” It was all about self-care, managing my anxiety, not getting too overwhelmed with the “bigness, muchness, fullness” of it all that was new, alluring, exciting, different. For me, travelling alone, getting lost would not add to the experience.

Those memories and visceral feelings walked with me and Annie as we approached the school playground. I was struck by the oddness, the “wrongness” of not seeing any children playing on the equipment, not seeing their parents watching them, on this sunny early evening. I felt lost in this pandemic scenario.

Even though Annie and I walked along different streets that evening, some, for all the years I’ve lived here, I’d never walked nor driven down before, the lost I felt was an interior one, grieving so much which is no longer, and wondering, will it ever be again.

This lost has weighed heavy these past days. Here in Canada, it’s our first long weekend of the summer. It’s been unseasonably cold across the country, with snow falling, oddly even, in more temperate locations. While it makes easier not getting together with friends for barbeques or going to the greenhouses for bedding plants, it’s not supposed to be this way. And yet it is.

Last night over dinner, I wept. Then a chance viewing one of our iconic folk-rock bands, Blue Rodeo, sing their anthem song, We Are Lost Together, with Canadians at home, I wept some more.

Of among hundreds in this global online community, one woman responded to my writing with this lovely insight:

I appreciate your reflection on the inner experience of ‘lostness’ – how brave of you to do Europe like that, ‘late to the party’ as you called it.  And the irony that for all its challenges and your self-belief about your poor sense of direction you were not once lost.  And yet something of this time and its strangeness in the midst of your familiar surroundings can induce the sense of lostness and one that ‘weighs heavy’.   I find myself identifying with you, thank you Katharine.”    

I felt seen. The lost that had weighed heavy became lighter with connection.

Well and Weary

It’s been a good two months living in this history making Covid-19 time. Socially distanced. Compassionately retreated. Many of us are baking bread, Marie Kondo-ing our homes, cleaning our yards, walking, taking photos or organizing those we took, ordering take-out, reading, streaming movies, watching YouTube travel videos, zooming meetings, face-timing our family and friends.

We adapt. It’s one of our long and strong suits.

On the surface, life in and around our home is pretty much the same as it ever was. Quiet, with few interruptions except for a parcel delivery, and Annie “guard dogging” with her barks whenever anyone walks by, or rings the doorbell. Funny thing, she doesn’t differentiate if it’s the same person walking by. A neighbor has taken to walking circuits around the green space in our cul de sac. Every five minutes or so, there he goes past our house, and there she goes. We could set a timer with her barking.

And yet, truth be told, in the past week I’ve been feeling weary. Well yes, and weary. This cycle of growing daylight interrupts my sleep patterns. Finally, I’ve learned to keep my sleep mask under my pillow if not on my head. Several recent episodes of early morning insomnia in the past week, like right now, when I’ve been awake since two. Four hours sleep, and if I’m lucky, perhaps a couple more as the sun rises and the robins lullaby me into dreamtime.

“Things falling apart is a kind of testing
and also a kind of healing.
We think that the point is to pass the test or to overcome the problem, but the truth is that things don’t really get solved.
They come together and they fall apart.
Then they come together again and fall apart again.
It’s just like that.
The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy.”

Pema Chödrön, When Things Fall Apart, 1996

But this is different. Last week, I listened to the news that Alberta’s honey production has been seriously impacted by the loss of 50,000 hives and how would they be replaced given pandemic-imposed travel restrictions. This became another proverbial straw this time broke on the back of knowing each day more and more of the pandemic’s pervasive personal and global impacts and implications. Using as metaphor from one of those travel YouTube videos I’d been watching, I feel like I’m on a train travelling through a mountain tunnel. It’s dark as pitch, and while I trust there will be a light at the end, I have no idea how wide the mountain we burrowing through, how long before I see light, nor will I recognize anything once through and on the other side?

I am weary.
Heavy with the weight of so much
unknown so much
unravelling,
with each day’s turning into this new season of
hope and rebirth.
I am stretched with a tender tension,
the holding of what is over,
the hoping for what may come.

Ever late to the party, last week I started walking Annie and listening to podcasts. I heard Krista Tippett from her OnBeing podcasts speak to the very real fatigue of virtually connecting.  Calling it “zoomzaustion,” our heads and hearts feel good seeing and hearing each other on our devices, but our bodies miss the very real enlivening energy flow we give and get only when in the physical presence of others. These months of not being physically present with friends, unable to visit family are exacting a toll, even though I’m home in good loving company.

“The only time we ever know what’s really going on
is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or
to put ourselves to sleep.
Right now — in the very instant of groundlessness — is
the seed of taking care of those who need our care and
of discovering our goodness.”

Pema Chödrön, When Things Fall Apart, 1996

During the weekend we dined on take out. It’s our commitment to “live local with love” and support local chefs by once a week ordering in dinner. A mix up with the order meant I sat and waited in the empty but for chef and staff restaurant as our food was prepared. First time visit, I was struck by the attractive décor, the open kitchen, the hip music. Staff were pleasant, apologetic, offered me a glass of BC sparkling wine to pass the time. Food delivered, bill paid, goodbyes and well wishes exchanged, once home and chowing down, my husband and I both remarked on the heart and soul put into creating that space, making this food, serving their customers, realizing a vision; on the questionable future to sustain themselves under their current pivot business plan, as opening under the province’s re-entry plan, with 50% capacity and the required 2 metre distance between tables would ensure bankruptcy.

Today, I’d hoped to have a “safe distance” walk with my friend in celebration of her birthday. “Thick rain” meant we cancelled, for now. So I’ll make chile cheese cornbread muffins to go with the “beerbutt” chicken my husband will grill for supper. I’ll call a friend grieving the passing of her mother. Tomorrow, I’ll purchase a CSA from a local greenhouse. Then I’ll see my chiropractor for a long overdue tune-up. All of us masked and gloved.

This weariness ebbs and flows.
I stay open to the vulnerable tenderness of this life.

“When things are shaky and nothing is working,
we might realize that we are on the verge of something.
We might realize that this is a very vulnerable

and tender place, and that tenderness can go either way.
We can shut down and feel resentful or
we can touch in on that throbbing quality.”

Pema Chödrön, When Things Fall Apart, 1996

Have We Learned?

I’ve been pondering for the past week what to write for this post. I’d thought of taking a pass, but I made this promise to my writerly self that I’d show up twice a week to post in this space devoted to writing. I may have copped out a bit, using the Friday posts for a poem – occasionally one of my efforts – accompanied by one of my photos. Pretty simple, leaving only Mondays for something more creative .

Right now I’m feeling “written out.” I just finished the first draft of an important email. One of those brave and necessary, fence mending, relationship tending emails. The kind that takes a lot of time, mental focus, heart connection and honesty to find the right words, to convey right tone. I’ll let that sit for a while before pressing “send”.  And for the past three weeks, I’ve been journaling and writing a bit of poetry in response to prompts from the online course, The Soul of a Pilgrim. I’ve mentioned it in a couple of recent posts, remarking on its timeliness for these times, its resonance with my contemplative nature.

This course, derived from the host Christine Valters Paintner’s book of the same, features weekly one of her eight practices of pilgrimage, each grounded in scripture, and then brought to life each day through several creative processes – lectio divino (reflection and writing to words that shimmer in a reading); Midrash, an ancient Jewish tradition of writing what’s imagined, or as a character in a reading, akin, I think, to Jungian “active imagination”; visio divino or contemplative photography; and Midrash movement, free expression movement or dance, with or without music, inspired by the reading.

Week 1, “Hearing the Call and Responding” evoked my poem, Hearing the Pilgrim’s Call, as the week’s integration. In Week 2, the practice of “Packing Lightly,” the visio divino process inspired the closing poem in my post, So This Is The Camino.

Last week, Week 3, the practice of “Crossing the Threshold,” I finally overcame a curious resistance to the movement exercise, odd for one who danced before she walked and as a young girl intuited how to use dance to move through stuck times, ground in turbulent ones. During the lectio divino, despite the scripture selection (Miriam at the Sea of Reeds, Exodus 15:19-21) immediately calling forth wonderful memories of walking a small pilgrimage of ceremony and celebration in Andalusia in 2017, my own experience in Midrash movement was anything but celebratory, as my exterior reality collided with my interior journey.

Despite my photos that captured that celebration, and resonated with the scripture reading, I journaled:

“Today, I danced Miriam, with an actual tambourine. And I simply could not let go into the celebration, as my exterior world, where my province has just announced its staged ‘re-opening’ plan – to begin today – is creating deep unease and grave concern. ‘Too much, too fast, too soon,’ I posted on Facebook last night, adding I hoped my concerns would prove unfounded, though much time would only tell. Many replied, mostly women, in agreement. So, a figurative dance with women…with my tambourine of caution, not of celebration.”

That caution carried through into my contemplative camera walk. A series of images of thresholds. This one. These words. Outer world amplified by the inner life revealed.

A well worn path abruptly ends
opening onto an expanse of space and sky.
Trees, like sentinels, guard against distraction.
Gravel now becomes greening fairway,
dry gold patches reveal winter’s hardship.

An urban golf course, my off season nature walk and refuge
whose birdsong and cloudscapes invite
my reverie and prayer.

But today this medicine must give way to golfers,
who, like so many, have bemoaned
a long winter, a late spring, a country-wide lock-down.

Too much, too fast, too soon my province’s plans for 
a re-opened economy, 
to say nothing about we the people, the citizens, the communities, the society.
Prevalent paradigms persist
that what’s good for one is
de facto
good for the other, 
without naming me, asking us.

Threshold crossed to
get on with it,
get it over,
get it right.

But have we learned? What?
Will we remember? How?
Will we get it right?

Epiphany

January 6, the feast of the magi.

Thirty-nine years ago, after four days of driving from Ontario, with my husband and our first English Setter, Beckey, in our VW Scirocco in record breaking cold, we arrived in Edmonton, Alberta. Just married six months earlier, we made, what hindsight has proved again and again, the right decision to accept the offer of a new position for him which included moving expenses, and set up home east of the city.  I’m always mindful of the day and its portent of a new beginning for us. 

Fast forward.

Today, a day that looks and feels much like that day we arrived thirty-nine years ago – brilliant sunshine in an Alberta blue sky, light snow cover, cold but not too cold. Another English Setter (our fifth), Annie, keeping us company in our home office. Ubiquitous truck and SUV have long replacd that sports car. Still east of the city in a house that’s been a comfortable home for decades. Both of us self employed with consulting contracts that fulfill and affirm and leave time to pursue other pleasures and dreams.

Recent shifts in work and relationships have conjured within the persistent archetypal image of magi wandering in the desert, with only the star and intuition to guide them. Recalling that night thirty-nine years ago, driving across the cold, flat Saskatchewan prairie, lit only by a billion stars and luminous moon. Wondering, what new beginning harkens? Then? Now?

“Pick a date and do the thing. There is no rule that says
you have to feel ready before you say yes to your dreams.”

Story People

Today, a new year, a new decade, a new blog. Saying yes, once again.