Komorebi

Flying home two weeks ago, with no foreknowledge, simply intrigued by the two-line description, I watched Perfect Days, a 2023 Japanese film written and directed by Wim Wenders. After three weeks of slow travel, designed with time to stay put and settle into the experiences of southern Italy, it was a soothing transition back into our quiet life at home. Clocking in at two hours, the film is described by The Criterion Collection as:

“A perfect song that hits at just the right moment, the play of sunlight through leaves, a fleeting moment of human connection in a vast metropolis: the wonders of everyday life come into breath­taking focus in this profoundly moving film by Wim Wenders. In a radiant, Cannes-award-winning performance of few words but extraordinary expressiveness, Koji Yakusho plays a public-toilet cleaner in Tokyo whose rich inner world is gradually revealed through his small exchanges with those around him and with the city itself. Channeling his idol Yasujiro Ozu, Wenders crafts a serenely minimalist ode to the miracle that is the here and now.

The main character seldom speaks. Day in, day out, his routine is the same – thoughtful, simple, purposeful marked with moments of gratitude for the sky, trees, and the light shimmering among the leaves.

The film’s final frame, shown above, defines the central principle grounding the story, and served as its working title. Reading, I smiled with recognition and appreciation, and sighed knowing its essence, as I am one whose first memory is of komorebi.

A few years ago, I wrote here about my love affair with trees, then inspired by a Sunday reading of The Marginalian and quote by Maria Popova, “A tree is a light-catcher that grows life from air.” My love affair with skies became conscious when I travelled to Iceland in 2018. While I fully anticipated the landscapes would tug on my heart, I had no idea how indelible the impact of those skies.

But back to trees and some of those that caught my attention in Italy last month. Some captured with komorebi:

Borrowing from my earlier post on trees, I’ll conclude in the same way, with a poem by Mary Oliver, in gratitude for the trees I gaze upon in my yard, and in vistas miles and oceans away, and for my friends who share a special kinship with them:

WHEN I AM AMONG THE TREES
When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.
I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.
Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.
And they call again, “It’s simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”

Much love and kindest regards, dear friends.

Author: Katharine Weinmann

attending to the inner life to live and lead with kindness, clarity and wisdom; writing to claim the beauty in her wabi sabi life

6 thoughts on “Komorebi”

  1. I’ve watched “Perfect Days” twice now, and am so love with the film and it’s appreciation of the analog life in a digital world.

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    1. Yes! Over time there are a handful of films that stay with me…My Dinner with Andre, Babette’s Feast and now Perfect Days. Their simplicity and depth are compelling. Thank you for your perspective.

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