Wings I’ve Grown

Portuguese Coastal Camino
Stage 5: Castelo do Neiva to Viana do Castelo
(In lieu of Friday’s regular photo and poem feature.)

Viana do Castelo across the River Lima and Eiffel Bridge, with Santa Luzia Basilica on the hilltop

“…But don’t be satisfied with stories, how things
have gone with others.
Unfold your own myth, without complicated explanation,
so everyone will understand the passage,
“We have opened you.”
Start walking toward Shams. Your legs will get heavy
and tired. Then comes a moment
of feeling the wings you’ve grown,
lifting.”

Rumi, “Who?” in The Essential Rumi, translated by Coleman Barks

Prior to departure, I had indicated that while I’d not be posting stories nor photos on social media, nor blogging, I would select and schedule posting my weekly Friday photo and poem features during my walk. That I’d be curious once home and looking back at my choices to see what, if any, correspondence they had to my actual experience. Rumi’s “Who?”– excerpt above – coincided with the day before our shorter fifth stage, walked again in heat though now with humidity thanks to early morning rain. Coupled with a particularly intense climb on tarmac, giving us the first view of our next destination, Viana do Castelo, “heavy and tired legs” were a reality. But first, breakfast at Quinta do Montevedra…


Waking to steady showers and seeing heavy clouds rolling down the hills to the sea, we opted for a leisurely breakfast in another of the Quinta’s beautifully appointed spaces, hoping an hour or two would bring sunshine. Delicious hot coffee, freshly squeezed orange juice and other fruits, creamy scrambled eggs, an assortment of fine sausages – chorizo and Iberian ham – and cheeses – soft brie, aged sheep and fresh creamed – crusty bread, crispy croissants, flaky pain au chocolate, and soft Portuguese pastries. Yes, to linger enveloped in such sumptuousness…listening to music that evoked the memory of a recently passed friend who would have loved this walk, in this way…“we have opened you.”

The sun eventually broke through. Cozy warm and waterproof layers dispensed. The cab called to take us the few kilometers to the stage’s beginning. “Obrigadas” and gratitude gifts exchanged with our host, Fatima. And we set off. Through the forest, with the ocean in the distance to our left, on paths of glittering stone and mud; cobbled roads through villages and vineyards, to the 11th C Sao Romao de Neiva monastery where not a moment’s pause was given to consider climbing this 186 step stairway to heaven!

Once across another Eiffel Bridge – the first we had cruised under on Porto’s Douro River the week before – we passed the city’s cathedral en route to the what, in hindsight, would be an adequate, but least favourite hotel.

Since medieval times, Viana do Castelo has been a pilgrimage stop en route to Santiago. Rich with history, architecture, and culture, we took a “rest day” to more fully appreciate its credentials. The next morning, Sunday, after waking to the news of the race-related mass shooting in my birthplace, Buffalo NY, rain threatened to fall from heavy clouds as we rode the funicular up the hillside to the famous landmark towering over the city, Santa Luzia Basilica. Foreboding weather and gloomy vistas were an apt reflection of grief.

The city’s annual floral festival where gerbera blossoms festooned the riverside plaza, echoed the colors and designs in the embroidery and weaving of the region’s traditional clothing seen in the local museum.

Finding color on a dreary day was surprisingly easy wandering through the historic centre, past the floral embellished 16th C Praca da Republica Fountain to a children’s art gallery, and then onto a side street festive with suspended umbrellas which held the day’s delight. Waiting in line, a fellow “peregrino” from Colorado invited us to share a table with him and his sister and brother-in-law at a restaurant favoured by locals for their traditional Sunday lunch. Served family style, platters of grilled bachalau with braised carrots, cabbage and potatoes, and again, the beverage of choice – tinto verde. Being the only one game to accept the owner’s invitation to sample an after dinner brandy, he placed the snifter and bottle – Aguardente Velha – beside me while the others wished they’d said yes! Remedied, he brought them small glasses and another Portuguese liqueur – all his way of saying “obrigado” to us for eating at his restaurant. Flan to follow, sated, warmed, and smiling…I wrote later in my journal: “a true Camino experience of sharing a meal with others. I hope it is the first of more to come, being in community, on The Way.”

Bordering the journal pages of this day’s entry I wrote a quote, which like the scheduled poem, had been chosen many days before, and yet too, was on point: “There are times in your life you are flung into an undiscovered country of being, a place beyond time and tide and details, the full magical breath of you heaving with the joy of being, and you realize then, that parts of you exist in exile and completeness is journeying to bring them home.”

Such synchronicities become that “moment of feeling the wings I’ve grown lifting,” bringing me home.

Much love and kindest regards, dear friends.

Who?

Who gets up early
to discover the moment light begins?
Who finds us here circling, bewildered, like atoms?
Who comes to a spring thirsty
and sees the moon reflected in it?
Who, like Jacob blind with grief and age,
smells the shirt of his lost son
and can see again?
Who lets a bucket down and brings up
a flowing prophet?
Or like Moses goes for fire
and finds what burns inside the sunrise?
Jesus slips into a house to escape enemies,
and opens a door to the other world.
Solomon cuts open a fish, and there’s a gold ring.
Omar storms in to kill the prophet
and leaves with blessings.
Chase a deer and end up everywhere!
An oyster opens his mouth to swallow one drop.
Now there’s a pearl.
A vagrant wanders empty ruins.
Suddenly he’s wealthy.
But don’t be satisfied with stories, how things
have gone with others.
Unfold your own myth, without complicated explanation,
so everyone will understand the passage,
“We have opened you.”
Start walking toward Shams. Your legs will get heavy
and tired. Then comes a moment
of feeling the wings you’ve grown,
lifting.

– Rumi –
(The Essential Rumi, translated by Coleman Barks)

On my long walk with and towards the metaphoric Shams, I anticipate days when my legs will get heavy and tired. I hope my feet remain blister free. I’ll welcome the moment(s) of feeling wings lifting me. And when I do, I’ll thank another of my guides, Rumi, and think of my friend Shawna and her wondrous latest novel, Everything Affects Everyone. I’ll whisper my gratitude to both on the winds.

Much love and kindest regards, dear friends.

A Reverie of Sacred Dance

“Keep it simple, keep it kind” to grease and ease passage through resistance into the Dance of Sacred Yes and Sacred No. Known and named resistance for one so facile with words – spoken and written – knows Body Knows and will slipstream with Her own Wisdom, shape shift to Truth.

“By the sacred yes or the sacred no I mean that affirmation or negation that comes from a deep place of wisdom and courage, even if it creates conflict or disagreement.
The sacred yes is not willful or egocentric, but rather is willing and surrendered.
The sacred no is not rebellion or refusal, but always the necessary protecting of boundaries.”

Richard Rohr, in The Artist’s Rule by Christine Valters Paintner


The Deal struck – leave words and utterances behind for Body in its silence to teach, with music of shaman’s dream to guide.

Kneel before the altar. Candle lit. Head bowed.
Stilling, silencing, falling into the cave of the heart.
Listening to a beat older than time.
Imaginal images flutter through time and space.


SACRED YES sees ancient Sun Dancer, pierced with deer cord bound to Tree in Life Hoop’s center. Face to the sun, sweat and blood streaming. Is this not a Sacred Dance to the Sacred Yes of Life? 
Elephant Matriarch swinging her massive head and trunk, warning all to beware as she guides her family through danger.
Arms suspended as Seaweed floating on the ocean’s surf. Then outstretched seeking surfer’s balance as he rides the Wave.
Now bald Eagle silently soaring, high wide view of land and sky.
Hold hair tight like Kali, Durga.
Bounce and bound like Ape.
Silent belly rumble and laugh. Inhale deep. Exhale deeper like bellows.
Not a word. Not a sound.
Felt Sense Flashes.
All a truer expression of that commitment to Life through its ages, when all Bodies knew.
Then rest, dream of YES, slip into Dream Time to bring it through, to be it, to be with it.
No words needed. Body knows.
Space surrounding Body holds vibration and emanation of this Dance to SACRED YES.

SACRED NO awakens to Tibetan bells.
Flowing gentle melody instantly illumines Sacred No is always in service of Sacred Yes. In obedience bows to Life.
Bending forward to purge the false yes, compliance, making small, resentments and envies – all taken as truth those lifetimes of lies.
Rising up, strengthen arms and legs, back and front, shake head free of delusion, break free of an invisible bondage as concrete eggshell shatters.
Drum beat evokes fierce warrior. Strike and chop and kick and stomp. Claim and proclaim. Power and empower.
Swoon with sudden sick feeling as Ego slips in guised to taint and turn the Sacred against itself.
BIG MEDICINE here.
Stand still. Is not standing still on one’s ground like Mountain the Sacred Dance of the Sacred No?
Then sway and soften into Life, like Tree who knows to withstand Storm he must give and bend.
Be fluid, fluent like River flows.
Dance SACRED NO as betrothed partner to SACRED YES.
Shape shift through Ego’s seduction. Discern the step.
Quiet presence, fierce with fight.
When to be loud with silence, soft with strength.

“A thousand half-loves must be surrendered
to take a whole heart home.”

Rumi

In the Family of Things

Mid August has come and gone and with it, most of summer. I used to say that August felt like one long Sunday night, especially for those of us in education. That mix of anticipation, apprehension, excitement and trepidation with September and the start of a new school year. All the stuff that can keep one awake, tossing and turning on a Sunday night, wondering what the new week will bring.

For the first time, this isn’t my felt sense. Maybe enough years out and away from the day to day. Too, knowing my work with schools has ceased, at least for the time being. Not wanting to be insensitive, I admit it’s hardly a year I’d want to be returning given so much continued uncertainty and real apprehension about the safety and well-being of staff and students as COVID-19 numbers continue to rise here and around the world with school resuming.

Despite another run this week of hot, sunny weather and cloudless skies (only the second this summer!) there are signs of what’s to come. Sitting by the local pond late last week I wrote:

The change in weather weighed heavy today. Every bone in my body ached.
My jaw clenched as my third eye pulsed.
Indelible and subtle, this signaling of the season to come.
Tell-tale morning chill.
Golden haze on aspen, ash and farmers’ fields.
Sun that sets earlier, rises later.

Geese gathered on the cat-tail bordered pond, leisurely swim in the same V formation as they fly.
And for a moment I hear in my head the opening lines to a favourite Mary Oliver poem, Wild Geese.
Try to speak aloud from memory. Give up but remember its essence,

remember the world announcing my place in the family of things.

Look up into that blue sky, heavy with lead bottomed clouds.
Beseech the wind who is my guardian,
“Where is it I’m meant to be?”

Like a squirrel gathering nuts, the geese and crows gathering to migrate south, I’m beginning to prepare myself for fall. Like its predecessors, spring and summer of 2020, I imagine it, too, will be the likes of which none of us has ever experienced. More pronounced again have been those waves of grief as I realize all too soon the ease with which we’ve been able to safely see friends will pass as colder temperatures and shorter days become the norm. And still, though curiously more acute, the sur-reality of living in this pandemic, every day continuing to learn more and more its impacts. Something I felt in the spring, but was able to hold lightly, off to the side during summer.

“… it is in those moments that we must remember the difference between despair and grief.
While despair traps us in the bog of despondency,

grief carries us into life.
Grief calls us into a deeper engagement with those things that we love. And even as we are losing them, grief wants to exalt their beauty.
If we let grief move us into expression, it will sing the blood into our songs, colour the vividness into our paintings,

and slip the poetry between our words.

Toko-pa Turner,
Facebook post, August 14, 2020

So thoroughly engaged in the first programs I took under their hosting this spring, in the pandemic’s novel, early days, I signed on to another self study with the Abbey of the Arts. Starting in September for twelve weeks, “Way of the Monk, Path of the Artist,” promises to be an equally deep, communal dive into creative expression. I’m lightly researching how and what I need to begin a project based on some mandala paintings I’ve made over the years, and today I signed on for a self-paced study in abstract creative painting. Lonely for community, I’ve decided to resume my weekly Saturday river valley walks with the local Camino group.

It’s a delicate balancing act, like the pattern I’ve noticed when I’ve been out and about a bit, around more people than usual. Without much conscious thought, I find myself laying low for the following several days, staying home, and only going out to walk Annie. I hear friends and family acknowledge their loneliness, while others live with the millstone of chronic illness and the deaths of their beloveds. My heart aches for my sister, recently moved to the States, where as the crow flies only fifteen minutes from her children, grandchildren and our parents, but with the border closed, now for another month, now an eternity away. I prudently expect more of our traditional celebrations – Thanksgiving, Hallowe’en, Christmas, New Year’s – will continue to be severely curtailed by Covid-19.

“Rumi says, ‘All medicine wants is pain to cure.’
And so we must cry out in our weakness, our ineptitude,
our beautiful inadequacy and make of it an invitation
that medicine might reach through and towards us.”

Toko-pa Turner,
Facebook post, August 14, 2020

Sitting by the pond, in response to my question, the wind whispers:

Right here, dear daughter.
Resting in the still warm sun. Breathing in the fresh northern air.
Your hair like the green rushes, swaying, dipping and dancing

in rhythm to my silent song.
Right here. Right now. This
.

With love and kindest regards, dear friends.

The Guest House

THE GUEST HOUSE

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice.
meet them at the door laughing and invite them in.

Be grateful for whatever comes.
because each has been sent
as a guide from beyond.

– Jelaluddin Rumi –
    translation by Coleman Barks

Dance

Dance, when you’re broken open.
Dance, if you’ve torn the bandage off.
Dance in the middle of fighting.
Dance in your blood.
Dance, when you’re perfectly free.

– Rumi –
translated by Coleman Barks in The Essential Rumi, 1995

_______

Sweet synchronicity – no sooner had I written this post when I heard a musical interpretation of these verses. Composer Anna Clyne created an orchestral arrangement featuring the cello, titled DANCE. Listen to the fourth movement, “in your blood,” with cellist Inbal Segev and the London Philharmonic Orchestra.

My Necessary Counterpoint

Today, like every other day, we wake up empty
and frightened. Don’t open the door to the study
and begin reading. Take down a musical instrument.

Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss the ground.

– Rumi –
translated by Coleman Barks in The Essential Rumi, 1995

%d bloggers like this: