your voice the companion to my otherwise silent walks reciting others’ poems in my ears offering interpretation and invitation into new contexts, meanings, shapes, and forms
I’d thought that glorious enough until I heard your voice recite your words interpret and invite me into hearing anew holy scripture and story
your poems a clarion call to love and justice to curiosity and compassion to wondering as I walk who am I and how am I complicit in empire’s delusion?
Naomi Shihab Nye
hearing her disembodied voice coming to you across the plaza in Columbia telling you of kindness and its peculiar kin you take the only possessions you have left – save the clothing on your back – and with pen and notebook alone take dictation, writing words that become iconic for their naked, known truth
too, in Albuquerque’s airport you hear her call and with your broken Arabic and wide-open heart you tend to the distressed grandmother both of you delayed at the gate soon a party breaks out as Arabic cookies and American juice boxes are shared community made among women dusted for those hours of waiting in something far sweeter than powdered sugar
something my heart yearns for with every poem of yours I read
This is my third and final set of poems written as tribute to poets for National Poetry Month. I “met” Pádraig Ó Tuama last spring walking with Annie and listening to him host the podcast, Poetry Unbound. Becoming a fan, I discovered he was Poet-in-Residence at NYC’s Church of the Heavenly Rest, leading virtual workshops on contemporary interpretation of scripture, guided by his work in social justice and conflict mediation in Ireland. Naomi Shihab Nye came to my attention with her wondrous poem of tending and befriending at the Albuquerque Airport, Gate A-4. Her work often sheds light on the plight of refugees, immigration, cultural conflict, and belonging. Both poets incisively invite me into deepening consciousness of my privilege, complicity, and commitments.
you were the first poet whose words I memorized your famous question becoming my mantra my north star for realizing mine was a life wild and precious and worthy of planning
you said you got saved by poetry and the beauty of the world that in your later years Rumi became your daily companion bringing refinement to – what in my eyes are – your already perfect observations your morning walks with pencil and notebook pausing to notice and note, your practice rendering with words the details of God’s creation, your gift amazement, your holy vow
bentlily (Samantha Reynolds)
yours are words that fit exactly the shape of holes in wounded hearts you write one a day – pithy, poignant, piercing – about your life’s everyday moments about your husband, children, friends, and jeans sometimes less than twenty lines, barely more than twenty words those are the ones that take my breath away urge me to winnow mine to essence to notice well and choose what to let be
Today, two more poems to two more poets whose words instruct me in the art of noticing life, and in so doing, make sacred the mundane. Mary Oliver needs no introduction. Vancouver’s Samantha Reynolds, writing under the pen name “bentlily”, began writing a poem a day ten years ago “to find more joy in the tedious rhythm of life as a new mother.” It’s a practice she maintains to this day, delighting us who receive her weekly collection in our inboxes.
eight hundred years ago words tumbled from your mouth as you whirled in ecstasy caught by the quill of your scribe creating images read the world over in a future unforeseen a reed burned hollow yearning for your breath a ground knelt upon and kissed in hundreds of ways a house guest greeted warmly as holy visitor
your own blazing love and searching, afire with your Beloved’s glory now the flame that lights now the song that dances me home
Christine Valters Paintner
a modern monk moored in a Celtic landscape contemplation and creativity your stock in trade prayer and painting poetry and dance song and silence evoked by your Benedictine vows and wide awake discerning eyes where illness and grief have polished smooth the cave of your heart making space for the shimmering of earth, wind, sea, and sky and the wisdom of ancients and ancestors to tell their stories and shape your words into offerings for a holy communion
As April is National Poetry Month, in appreciation and celebration, I have written a poem to each of six poets whose words, for me, inspire, instruct, and illuminate. This week, through the lens of sacred inspiration, I write to Rumi, the founder of the Whirling Dervish community of Sufism and author of several of its sacred texts, and to Christine Valters Painter, poet and abbess of the Abbey of the Arts, a global online meeting space for contemplation and creative expression. In the past year, I’ve participated in several of the Abbey’s retreats and shared here impressions and impacts of their numerous prompts and invitations.