In reflection to a prompt from last week’s theme in Way of the Monk, Path of the Artist – “Creative Work as Vocation and Holy Service” – a powerful memory was evoked of a group activity of deep listening and sensing into space and collective. Thirty or so of us standing in a room led by a famous percussionist were invited to make a brief improv musical composition using only six sounds, one of each assigned to each of us, to be used only once. Like the maestro, he signaled the start and as I listened, waiting for when to make my contribution with my sound, it became apparent that staying silent was most needed for the coherence of the emerging melody.
“Let meMary Oliver, The Messenger
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
Over the years, calling back that visceral experience has always been a profound, astonishing even, lesson of the discernment and value of silence, stillness and spaciousness in works that matter.
Last week that memory gave me a fresh way into understanding my place right now. The waxing and waning between finally feeling – after several fallow and lost months of grieving my sudden, unexpected arrival at “retirement” – for the first time in my life, a deep contentment with not working, AND, too, missing the ways in which I had worked, been of service, made a living. Missing the known and felt meaning and value I gave and received for my work. Such missing occasionally “stings” as my circle of women friends are still so employed or creating their “encore” careers.
“Our daily work may rise out of our true calling in the world, or it may just pay the bills; either way, we each have a vocation. We each were given certain gifts to offer in service to others. Our calling is deeply connected to our creativity. The truths we long to express in the world and the way we feel moved to give form to beauty are signs of the Spirit at work in us. Vocation is a daily invitation to be fully who we are and to allow our lives to unfold in ways that are organic to this deepest identity.”Christine Valters Paintner, The Artist’s Rule, 2011
So how, now in my autumn years, will this unfamiliar “non work” become my “love made visible” in counter-cultural, less obvious, silent, still and spacious ways? How, as I find myself living a long-held dream of having expanses of time and space, unfettered by plans and obligation (thanks in part to the pandemic), may creativity emerge as vocation, take form as holy service? How do I learn to be astonished?
A cursory inventory:
- Shifting my perspective to give value to home care, meal preparation, dog walking as my labors of love.
- Trusting that the beauty I notice and express, via written word and photograph – in my blog, on social media, in my practice of hand writing note cards sent to friends – are an offering of my life as poem and prayer.
- Remembering my meditation and prayer, a lit candle, and passing thought for another, known or unknown, are silent weavings for healing and community.
- Giving space for my holy grief, holy gratitude and holy love creates space for others to do so.
- Sitting with the questions of my heart, in the tension of knowing a greater plan is at work, revealed only – word by word, brush stroke by brush stroke, action by action – in the ordinary living into each day.
- Learning to “move at the pace of guidance,” heeding the wisdom of energies seen and unseen.
“We make what we make, we give a gift, not only through what we make or do, but in the way we feel as we do, and even, in the way others witness us in our feeling and doing, giving to them as they give to us…a work and an identity that holds both together, not only for an end, but for every step that shapes an onward way.”David Whyte, “Work,” in Consolations, 2015
Much love and kindest regards, dear friends.