Category: Poetry

The Power of Storytelling

In the dark depths of long winter nights,
spirits slumber, too, and allow their stories to be
told – these are the storytelling moons. Elders and
storytellers who have been given tales to carry
speak softly, reverentially, and the people hear
them. The people do not merely listen – they hear.
To hear is to have a spiritual, mental, emotional
or physical reaction to the words. Sometimes, at
very special times, you have all four reactions
and are changed forever. Share stories, fill cold
nights with the warmth of your connections, your
relationships; hear each other and be made more.
That is the power of storytelling.

– Richard Wagamese, Embers (2016)

A couple of nights ago I sat in virtual time and space in a fundraiser for The Circle Way. On the screen I saw with joy filling my heart, several of my mates from when I sat on the governance council. There, too, were our beloved founders, Ann and Christina, together with practitioners from around the continent. The bell rang once, twice, and once again I felt deep gratitude for such a simple, yet powerful practice and its invitation: to pause, breathe, shift from social to sacred space, and settle into presence. As our “start point” – an offering to align with the evening’s agenda – the above story from Richard Wagamese was read aloud.

In less than a week, the northern hemisphere will enter into the darkness of Winter Solstice. Its long nights, like that bell, invite pause and rest; a remembering of the shift from social to sacred; and a settling into presence with ourselves and in relationship with others, including those “more than human beings.” Stories read, and shared aloud, bring the gift of being made more by the telling and the hearing.

Sometimes, what’s important will be repeated three times, explains the old woman in Wagamese’s book:

“You listen the first time. You hear the second time.
And you feel the third time…
When you listen, you become aware. That’s for your head. When you hear, your awaken. That’s for your heart. When you feel, it becomes a part of you. That’s for your spirit. Three times. It’s so you learn to listen with your whole being. That’s how you learn.”

Wishing you time for stories, alone and together, during these long winter nights. May you be made more by the telling and hearing.

Much love and kindest regards, dear friends.

Composting

I’ve no idea where this post will start, nor finish. It’s another one of those “sit down and write” sessions where my heart is full, my mind inchoate. We’ve just returned from dinner at our local Bodega, where a Spanish influenced charcuterie and cheese board and perfectly aired Tempranillo did their magic in transporting me back to Spain last May, until we paid our bill and bundled up. Then met with a blast of -20 C winter westerly wind, I was snapped back to my senses, my thinking slushy.

It’s been a rich and cultured kind of day, beginning this morning with a short Zoom consult with local poet and poetry champion, Alice Major. I’m participating in her small group workshop to learn how to align and sequence a poetry collection, grounding intuition with the components of a replicable understanding. Then a Zoom hour with my favourite contemporary Irish poet, Pádraig Ó Tuama, hosted by the Rowe Centre. This a “teaser” for his upcoming five session program, “Practicing the Inner Life with Poetry,” I always learn from this master of recitation and interpretation. A brief pause to warm and sweep off my car before driving into Edmonton to catch the final performance of a local theatre company’s world premier, “The Innocence of Trees,” based on the little known life of Saskatchewan born artist, Agnes Martin. A deeply moving production featuring well established local actors, I was again struck by the superb quality of artistic endeavors in my city.

Impressions swirling, what coalesced and landed with gravitas is the question:

“How does ‘making’ – whether that be writing, painting, or any form of creative expression – return me to myself? And is knowing and committing to its gift enough to persist, without the expectation of anything beyond?”

In this afternoon’s theatre, at one point “Agnes” decides to burn her painting because it evokes no feeling from her, nor her younger self. Yet she gives credit to its making for saving her from stepping off the edge into insanity. I was reminded of other wounded artists. Van Gogh, who despite significant odds, profound self doubts, and looming insanity created because he had to, knowing no success, only derision, until posthumously.

Glancing up right now, sitting on my table in front of me is the dried stem from an orchid a dear friend gifted me in the summer of 2021. Then, several delicate white blossoms hung from its two limbs. I religiously followed her instructions to “feed” it three ice cubes every Saturday. Eventually those blossoms dried and fell off and two more stems burst through with over a dozen buds. Those blossoms began to appear just as I was departing for my Camino and lasted, remarkably – brilliant white with life – for six months. As I’d never before had an orchid, I wasn’t sure how to tend to it. But every week, I watched and realized the orchid was showing me how. From one limb, another emerged, now with several small buds. From the base, a new limb is growing, too with flower buds. It became apparent that the second flowering stem was drying, dying, once its flowers dropped. Pruned off and now completely dry, it has become like the hollow reed of which Rumi wrote in the opening of his famous epic poem, the Mathnawi.

“A craftsman pulled a reed from the reedbed,
cut holes in it, and called it a human being.
Since then, it’s been wailing a tender agony
of parting, never mentioning the skill
that gave it life as a flute.”

Rumi, translated by Coleman Barks and John Moyne, The Essential Rumi, 2004

Let’s add into this disparate mix some shimmerings from my ongoing study of “Rewilding Mythology,” now in my sixth week:

  • Training in liminality – the space in between – via the pre Christian, goddess-centred initiatory rituals of “collective effervescence,” where nature was revered, gender was fluid, and community cohesion was enhanced via altered states of consciousness. Fast forward to contemporary rave culture.
  • Ancient traditions of nomadic bards, poets, and song carriers who believed they, as hollow reeds, spoke for the spirit world and that their songs and words existed in another realm, not the past, but the kairos time of now.
  • A return to keeping Sabbath, to disturb and disrupt the capitalistic paradigm of ongoing production and growth, predicated on a non-efforting imagining that my work is done.
  • The development of “ecological empathy” and language that is more effective at embodying the interconnected relationships between us, and the “more than human” beings.
  • Slowness, stillness and silence as intentional, powerful actions to sensing into what is being asked of us.

To borrow a “rewilding” term, without knowing it, here I’ve been:

“Composting.”
My day, my week, my impressions.
Threads of connection and webs of relationships.
Apparent and those liminal,
nonspecifically sensed into.
Shimmerings and glimmerings
of how to be returned to myself
by the simple acts of making.
How to be the hollow reed,
saved by slowness, stillness and silence.
Rested and empty and ready
for what and who is asking.
With an ecological empathy for myself
and the more than human beings.

Thanks for companioning me, dear friends. Much love and kindest regards.

my more than human being



What the Angel Didn’t Say

WHAT THE ANGEL DIDN’T SAY

I notice that when
the angel spoke to Mary
she got news that God
was pleased with her,
and that she would bear a son
destined for greatness,
but no mention was made
of torture and early death
and the way her heart
would break completely and
irrevocably. The angel told her
not to be afraid, but didn’t mention
the need to take the baby
and run from Herod or even
giving birth in a stable.
If the heavenly being hinted
at a future seated at the right hand
of God, it never acknowledged
how different that feels than
having him seated at the
family table for supper,
and the ache of an empty chair.
Maybe she knew, and said yes anyway.
Maybe the big ask
is to open the door to suffering,
which is the door marked Love.

– Lynn Ungar –
December 16, 2021

Since returning to Italy in October, truly my heart’s home, or at least one of them, I splurged on a subscription to the weekly ITALY Magazine and follow its daily posts on language, culture, food – with beautiful photos – on Facebook and IG. Yesterday reading the current issue, I was reminded that December 8 is “la Festa dell’Immacolata Concezione,” the Feast of the Immaculate Conception when the Angel visited Mary, the day in many parts of Italy where trees are festooned with lights marking the beginning of the Christmas season. So this poem from Lynn Ungar, stored in the dark of my virtual file since last year, fit the bill for today’s post.

Earlier this week, I read an essay by Perdita Finn, wherein she gave an alternate interpretation to the feast day: that of Mary being immaculate, born without sin, free from karma. That she symbolizes the universe’s womb, the dark matter out of which all life emerges on earth. “This is why so many of the old Madonnas were depicted as black, as black as the original mothers, as the soil, as the space between the stars.”

Aligning with the Celtic celebration of Solstice and its honouring of the wisdom of the dark, when what is planted, resting fallow hidden in the depths, can decay or gestate, renew, transform. Mary becomes the the earthly embodiment of the divine feminine and its creative-destructive cycles of life and death.

Or as Lynn offers, the suffering that is Love.

Much love and kindest regards dear friends as you enter the ever growing darkness of December.

Poetry

POETRY

And it was at that age … Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.

– Pablo Neruda –

I’ve held this poem post in the draft file for a few weeks and love the synchronicity at play. Much of Monday’s post disappeared after two hours of writing, ready to add photos, and press “publish.” I’d been writing about the creative process, and preparing myself to prepare my poetry manuscript for the next round of submissions. I’d quoted Neruda talking about the what and why of poetry: “Poetry is an act of peace. Peace goes into the making of a poet as flour goes into the making of bread.” And it reminded me of my Facebook profile tagline: “Making prayer, poetry and beauty is hold alchemy for social change.” I mused that perhaps my involvement in that rewilding course was having an effect.


Perhaps the World Ends Here

Ukrainian “DOORS”


PERHAPS THE WORLD ENDS HERE

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

– Joy Harjo –

One of several, this poem by past Poet Laureate of the United States, was a gift to its subscribers from the Poetry Foundation in celebration of American Thanksgiving. Today is the day after, the formal kick-off to the holiday season, and Black Friday, another American invention, where for the last many weeks social media has run rampant with ads boasting big savings on just about everything imaginable. Curious that what comes to my mind as I type is remembering within days of 9-11, then President Bush telling Americans to go shopping to deal with their unspeakable shock and yet to be processed, still processing, grief.

A couple of days ago I made an “artist’s date” with a friend before going out to lunch together. We visited the Alberta Council for the Ukrainian Arts, recently relocated on the edges of our downtown core – desperate for post-pandemic revitalization – due to the demolition of its previous home in a sweet, enlivening neighborhood strip mall. Home, too, for a cozy family friendly café; a corner store “famous” city-wide for its fried chicken; a chic furniture and home décor shop; the place to go for small appliance repairs and replacement parts; a Buddhist bookstore…the lifeblood of a community soon to be bled and bulldozed for urban “development.” Yes, I feel grief about this.

I wanted to go to the centre to see Ruslan Kurt‘s “DOORS“, an art installation of doors taken from Ukrainian homes bombed, torched, and shot at by invading Russian soldiers.

February 24, 2022. Nine months to the day of this American Thanksgiving. Then the day the world, as the people of Ukraine and beyond knew it, ended perhaps at their kitchen tables. Most certainly at their front doors.

Eating lunch at a café table with my friend, she of Ukrainian descent on her mother’s side, I remarked on the juxtaposition of these battered doors within the art centre’s maker space – women chatting as they embroidered, and stitched quilts, sewed at machines set for creating, surrounded by walls hung with colourful Ukrainian art. How symbolic of life: on one hand, its cycles of creation and destruction, on the other, how in the space of these nine unimaginable months, so much has filled in and taken over and away my attention from this invasion and its deepening catastrophic impacts now come winter. Taken over and away by a continuous barrage of catastrophe, terror, trauma, and grief.

Too, remembering the ethical conundrum of Thanksgiving in North America with its history of colonization, enslavement and displacement. A history of catastrophe, terror, trauma, and grief that persists.

So this post – post Thanksgiving and pre the advent of the holyday season with its cross cultural celebrations of light returning – is an invitation to pause…to remember…to return my attention…to imagine the tables where “we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.”

Much love and kindest regards, dear friends.


The Pilgrim

THE PILGRIM
When you return from a long journey
air sweet with lilac and unfurled green
then you fall to your knees
and become gratitude’s pilgrim.
You were given the way at birth.
Given blue fields and loam.
Given an open throat, wild orchids,
a path lit by milky stars.
You were given desire,
sweet darkness of the body,
white hum in the bone.

It’s not the departure you long for,
nor the finish, with its thick incense,
tired feet and weeping.
It is the quiet loneliness in between.
When memory marries the wind
and you are pure light. Walking.
One foot in front of the other.
You cannot speak of this place.
The way you cannot speak of grace
or what holds you to this world.
How at this moment you can only stand up
and move toward the light of home.

– Rosemary Griebel –

In Monday’s post I mentioned meeting in person Calgary poet, Rosemary Griebel. All week, during my morning ritual of sitting with Annie sipping my americano (now laced with a half pump of eggnog syrup, tis the season and all), I’ve been re-reading her poetry collection YES. Last night I texted to her:

“Rosemary, it truly is a beautiful collection…so grounded in your intimate, lived experience of the prairies, one I came to know only a bit when my husband, Sig, and I moved here from ON in 1981 and when I learned to appreciate them accompanying him many weekends in the spring and late summer on field trials – horses with bird dogs like Annie, our English setter. The Pilgrim…yes, what an evocative and deeply resonant beauty…and the several I heard you recite on The Road Home, how I first learned of it, you. And some “hard” ones…all so beautifully, deftly composed. Hard but light filled…”

And so to share here one of hers with you, together with my photo walking one rainy day from Viana do Castelo to Vila Praia de Ancora along the Portuguese Coastal Camino. “A day of quiet loneliness in between. A day when memory marrie[d] the wind and [I felt like] pure light. Walking. One foot in front of the other.”

I’ve written several times of the lesson shared with me in 2011, when walking along the path, high on the cliffs of Italy’s Ligurian coast, from the Cinque Terre town of Vernazza to its Corniglia, with a couple who had walked the Camino Frances a year earlier: the Camino is what happens once home. After preparing for last week’s presentation on my walk; talking this week with a friend about curiosity, creativity, and wisdom for his podcast; and lunching with a friend who, having walked the Camino Frances several years ago, wanted to hear some of my story; once again I feel Camino making its presence known deep within as I prepare for my next writing project.

I feel myself hesitate. Find myself distracted. Yet I know it’s simply a matter of placing my stake in the ground, and saying YES. Then Camino begins once again to work with me.

Much love and kindest regards, dear friends.



Inside the Season’s Cocoon

While a week late, and a post missed, I’ve kept my promise to myself to “stick to the knitting” and my writing practice here. During the interim, two rejections from the group where last year I’d been invited to read my submission to their ekphrastic poetry contest (beginner’s luck?) – I was sure I had a good one – and another written in the wee hours of Wednesday’s dawn to meet another contest deadline. Fingers crossed and regardless, I’ll get feedback from the judges. Always a boon.

Too, after a record-breaking long and warm and sunny August, September and October, wherein I was playing pickleball outside until Hallowe’en, winter – apparently fed up with waiting – suddenly, unequivocally barged in with November. Blowing and blustering throughout Alberta, it dropped nearly a foot of snow in a matter of days, wreaked highway havoc, and gave us the dubious distinction of being among the coldest spots on earth this week. Add Tuesday’s full moon lunar eclipse; peculiar and powerful planetary alignments wreaking their own astrological chaos; news from home that a high school chum has been seriously afflicted by dementia; another friend coping with pneumonia and two small children; a frozen vehicle; Annie down with a GI tract infection (she’s better now)…

Neither complaining nor making excuses, I’m simply noticing what now has the capacity to knock me sideways, crawl deeper into the covers, and, despite the sun and blue sky, colorfully renounce my gratitude for the seasons, especially this one. I refuse to call it a symptom of age…more the wisdom that comes with…a finer attunement to the nuanced…the paying with attention in my body, and not over-riding it with my thinking. Saturday’s Camino walk in the river valley with a reprieve in temperature, and later with Annie, restored my appreciation.

Last weekend I took the bus to Calgary to attend a Friday poetry evening and Saturday workshop with Pádraig Ó Tuama. Such a treat to physically sit in his presence and hear him do so brilliantly what I’d only ever heard him do through Zoom and podcast space…recite remarkable poetry and invite us into how to listen to its structure for its meanings. Thank God, I knew to book the bus when I’d made the arrangements during early September’s golden glory. (I have a kind of prescience when it comes to weather…that finer attunement thing.) Both of us walking alone as we approached the venue, I introduced myself, said a few words as we climbed the stairs to the entrance, and then made our separate ways. Pretty neat for this enthusiastic fan. Too, I was standing in line to purchase his “hot off the press” Poetry Unbound collection, only to recognize immediately behind me award-winning Calgary poet Rosemary Griebel. We have a virtual friendship initiated when she wrote me a lovely compliment on my blog. Knowing she’d be there, I’d brought my copy of YES, her most recent collection, for her signature. Again, pretty neat for this appreciative fan. And then at the Saturday workshop, of all the coincidences, by way of her friend, Peg, we discovered we share a birthday. How neat is that!?! A bit of kismet perhaps…especially as we talked about Camino walking and her interest in Portugal.

I had several takeaways from the weekend inspired by both Pádraig and Rosemary. With my own rejections fresh, I felt restored hearing Pádraig say how difficult it continues to be for him to find places and publishers for his poetry, still how many and often the rejections. Its antidote, he said, was finding a small, intimate group of writers with whom to share the work, so as to uplift each other in the efforts made, support each other through the process of editing, submitting, and receiving rejections and acceptances. In the acknowledgement of her book, Rosemary mentioned the friendship and support received from her regular local poetry writers’ group. Into my new vocation now for a couple of years, I know its solitary, often lonely nature. I returned home committed to putting a call out, both to the Universe (trusting my efforts are adding), and to some writers to ask if they’d meet me in the sandbox – virtual is fine – to support each other as we make our way with words.

And speaking of Camino, mid week I was invited to present “A Creative’s Way of Walking Her Camino” to the first, post covid, in person gathering of our local chapter of the Canadian Company of Pilgrims. Using a story I’d written for Portugal Green Walks and the upcoming issue of Sage-ing: The Journal of Creative Aging – a synthesis of my blogs – I shared my way of traveling in general, and in particular how I had walked the Portuguese Coastal Camino – using journal, painting, photography and poetry to grok within the experience’s impressions and memories. I was delighted not only with the feedback from attendees and planning committee, but more so to have been “seen” in this way of my vocation, to be, as one of the members said, the chapter’s “resident artist-poet.” Now this is very neat!

I am now inside the season’s cocoon, wintering. Despite the initial shock, I am surrendered to the inevitable, ready to savor having designed time for writing, studying Italian and “rewilding,” walking, cooking, hand work, seeing friends, sharing time with my “pack,” playing pickleball. Feeling life full in the midst of its fallow.

Much love and kindest regards, dear friends.

Sometimes

SOMETIMES

Sometimes things don’t go, after all,
from bad to worse. Some years, muscadel
faces down frost; green thrives; the crops don’t fail.
Sometimes a man aims high, and all goes well.

A people sometimes will step back from war,
elect an honest man; decide they care
enough, that they can’t leave some stranger poor.
Some men become what they were born for.

Sometimes our best efforts do not go
amiss; sometimes we do as we meant to.
The sun will sometimes melt a field of sorrow
that seemed hard frozen; may it happen for you.

Sheenagh Pugh

Parker Palmer, wise elder, posted this a couple of days ago – his pithy response to the USA midterm elections. I’m sharing it today because I like how it echoes my first post back after my writing hiatus wherein I uplifted Hafiz’s notion that our efforts add to the universe – a message I personally need to remember and feel needs to uplifted and amplified continuously for us all.

OUR EFFORTS ADD TO THE UNIVERSE.
Mine. Yours. Ours.
Simple. Elegant. Complex. Messy.
The Universe does not judge. It simply needs our effort.
So let’s get at it!
One simple step…and let’s see where it takes us.

Much love and kindest regards, dear friends.

These Marvelous Women

THE MARVELOUS WOMEN

All women speak two languages:
the language of men
and the language of silent suffering.
Some women speak a third,
the language of queens.
They are marvelous
and they are my friends.

My friends give me poetry.
If it were not for them
I’d be a seamstress out of work.
They send me their dresses
and I sew together poems,
enormous sails for ocean journeys.

My marvelous friends, these women
who are elegant and fix engines,
who teach gynecology and literacy,
and work in jails and sing and sculpt
and paint the ninety-nine names,
who keep each other’s secrets
and pass on each other’s spirits
like small packets of leavening,

it is from you I fashion poetry.
I scoop up, in handfuls, glittering
sequins that fall from your bodies
as you fall in love, marry, divorce,
get custody, get cats, enter
supreme courts of justice,
argue with God.

You rescuers on galloping steeds
of the weak and the wounded–
Creatures of beauty and passion,
powerful workers in love–
you are the poems.
I am only your stenographer.
I am the hungry transcriber
of the conjuring recipes you hoard
in the chests of your great-grandmothers.

My marvelous friends—the women
of brilliance in my life,
who levitate my daughters,
you are a coat of many colors
in silk tie-dye so gossamer
it can be crumpled in one hand.
You houris, you mermaids, swimmers
in dangerous waters, defiers of sharks–

My marvelous friends,
thirsty Hagars and laughing Sarahs,
you eloquent radio Aishas,
Marys drinking the secret
milkshakes of heaven,
slinky Zuleikas of desire,
gay Walladas, Harriets
parting the sea, Esthers in the palace,
Penelopes of patient scheming,

you are the last hope of the shrinking women.
You are the last hand to the fallen knights
You are the only epics left in the world

Come with me,
come with poetry
Jump on this wild chariot, hurry–

Mohja Kahf

Quite simply, how could I not share this marvelous tribute to women?

Evoking myth and magic, ancestors and ancient, wild and wise ones throughout time…yes, women are the only epics left in a world still hell bent on trying to silence and destroy us.

Thank you Moha Kahf for your words, Renée I.A. Mercuri for posting it, and my friend Sharon for sharing it.

Adding to the Universe

In the past day’s reading of several favourite blogs, a few threads of thought shimmered and held my attention enough to ponder and weave together here…

In Transactions with Beauty, my friend Shawna Lemay shared as one of her “20 Things that Might Be Helpful,” the notion from Hafiz that our efforts are not insignificant…that through our humble efforts – none of which are irrelevant nor too important – finding the balance we add to the universe. I love this and gleaned the settling reassurance of being and doing “enough.” Thank you, Shawna, and our beloved Hafiz. Most definitely helpful.

This spun together with Robin Wall Kimmerer, her words imbued with beauty and the wisdom of her ancestors. Cited in another newsletter, she shared the teaching that by “paying” attention we give in return for the gifts we receive from Earth. As one who notices, a lot, this deeply resonated. I could take for granted such a simple gesture, but she reminds me it is an act profound precisely because our attention is fast becoming a limited resource, pulled in many directions and insidiously whittled away by myriad distractions. The question then is to what am I paying attention, and how or what does this attention serve and enliven?

My virtual friend Helen, over at Ageless Possibilities, shared her “October Reflections,” the year past and current. Closing with an invitation by way of questions – Do you do an annual reflection on changes in your life? Do you consider what has remained the same? And does that impact your life decisions? – I realized how in the last couple of weeks I’d been casually reflecting on my new vocation as writer-poet, and healthy pastime, my game of pickleball.

Despite a slow start to my game this summer, on the courts I saw how I’d developed in consistently serving well, handling the speed of a volley at the kitchen line, accurately placing more offensive shots, and in making more and better low and backhand shots. Yes, it’s still a fluke if I return a banger or a slam. The third shot drop still eludes me. And one day’s play can vary from the next. Despite saying at the outset of taking up the game several summers ago, that this would be the perfect practice for kindness – I falter, often, especially with myself. That’s why it’s called “practice,” I remind myself.

In the past year my writing efforts have borne fruits: poems published in two anthologies; writing the foreward and poetry for another; invitations to read at open mic events; my co-editing and featured writing “gig” at Sageing: The Journal of Creative Aging; and preparing a sixty poem manuscript for publication. It comes…word by word…line by line. And though reluctant to call myself “poet,” I know deep in my bones, poet is who and what I am, not just on the page, but in how I live my life.

“…attention generates wonder, which generates more attention … Paying attention to the more-than-human world doesn’t lead only to amazement; it leads also to acknowledgment of pain. Open and attentive, we see and feel equally the beauty and the wounds… Paying attention to suffering sharpens our ability to respond. To be responsible.” 

Robin Wall Kimmerer

While travelling earlier this month, I had a dream which gently guided me to registering for an eight week dive into “rewilding mythology.” In all honesty I have no idea what this is. But host, Sophie Strand, and several of the faculty intrigue and have piqued my sense of wonder, intuiting this will deepen my attention to the “more-than-human world,” and sharpen my ability to notice and respond. Next weekend I’ll travel to Calgary to sit in the presence of and learn from of a beloved poet, Pádraig Ó Tuama, someone I’ve mentioned here for his Poetry Unbound podcast. And in December I’ll participate in a poetry intensive with Alberta poet Alice Major, to learn about aligning my poems into the arc of a collection.

If the “job of a human is to learn,” I’m at least part-time employed. Revisiting my slogan – “making prayer, poetry, and beauty is holy alchemy for social change” – I trust my efforts – neither irrelevant nor too important – are adding to the universe. I trust yours are adding, too.

Much love and kindest regards, dear friends.

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